게임의 규칙 [CSRD]

Cypher System games are played in the joint imagination of all the players, including the GM. The GM sets the scene, the players state what their characters attempt to do, and the GM determines what happens next. The rules and the dice help make the game run smoothly, but it’s the people, not the rules or the dice, that direct the action and determine the story—and the fun. If a rule gets in the way or detracts from the game, the players and the GM should work together to change it.

This is how you play the Cypher System:

1. The player tells the GM what they want to do. This is a character action.
2. The GM determines if that action is routine (and therefore works without needing a roll) or if there’s a chance of failure.
3. If there is a chance of failure, the GM determines which stat the task uses (Might, Speed, or Intellect) and the task’s difficulty—how hard it will be on a scale from 1 (really easy) to 10 (basically impossible).
4. The player and the GM determine if anything about the character—such as training, equipment, special abilities, or various actions—can modify the difficulty up or down by one or more steps. If these modifications reduce the difficulty to less than 1, the action is routine (and therefore works with no roll needed).
5. If the action still isn’t routine, the GM uses its difficulty to determine the target number—how high the player must roll to succeed at the action (see the Task Difficulty table). The GM doesn’t have to tell the player what the target number is, but they can give the player a hint, especially if the character would reasonably know if the action was easy, average, difficult, or impossible.
6. The player rolls a d20. If they roll equal to or higher than the target number, the character succeeds.

That’s it. That’s how to do anything, whether it’s identifying an unknown device, calming a raging drunk, climbing a treacherous cliff, or battling a demigod. Even if you ignored all the other rules, you could still play the Cypher System with just this information. The key features here are: character actions, determining task difficulty, and determining modifications.

KEY CONCEPTS

ACTION: Anything a character does that is significant—punch a foe, leap a chasm, activate a device, use a special power, and so on. Each character can take one action in a round.

CHARACTER: Any creature in the game capable of acting, whether it is a player character (PC) run by a player or a nonplayer character (NPC) run by the game master (GM). In the Cypher System, even bizarre creatures, sentient machines, and living energy beings can be “characters.”

DIFFICULTY: A measure of how easy it is to accomplish a task. Difficulty is rated on a scale from 1 (lowest) to 10 (highest). Altering the difficulty to make a task harder is called “hindering.” Altering it to make a task easier is called “easing.” All changes in difficulty are measured in steps. Difficulty often equates directly with level, so opening a level 3 locked door probably has a difficulty of 3.

EASE: A decrease in a task’s difficulty, usually by one step. If something doesn’t say how many steps it eases a task, then it reduces the difficulty by one step.

EFFORT: Spending points from a stat Pool to reduce the difficulty of a task. A PC decides whether or not to apply Effort on their turn before the roll is made. NPCs never apply Effort.

HINDER: An increase in a task’s difficulty, usually by one step. If something doesn’t say how many steps it hinders a task, then it increases the difficulty by one step.

INABILITY: The opposite of trained—you’re hindered whenever you attempt a task that you have an inability in. If you also become trained in the task, the training and the inability cancel each other out and you become practiced.

LEVEL: A way to measure the strength, difficulty, power, or challenge of something in the game. Everything in the game has a level. NPCs and objects have levels that determine the difficulty of any task related to them. For example, an opponent’s level determines how hard they are to hit or avoid in combat. A door’s level indicates how hard it is to break down. A lock’s level determines how hard it is to pick. Levels are rated on a scale from 1 (lowest) to 10 (highest). PC tiers are a little like levels, but they go only from 1 to 6 and mechanically work very differently than levels—for example, a PC’s tier does not determine a task’s difficulty.

PRACTICED: The normal, unmodified ability to use a skill—not trained, specialized, or an inability. Your type determines what weapon skills you’re practiced in; if you aren’t practiced with a type of weapon, you have an inability in it.

ROLL: A d20 roll made by a PC to determine whether an action is successful. Although the game occasionally uses other dice, when the text simply refers to “a roll,” it always means a d20 roll.

ROUND: A length of time about five to ten seconds long. There are about ten rounds in a minute. When it’s really important to track precise time, use rounds. Basically, it’s the length of time to take an action in the game, but since everyone more or less acts simultaneously, all characters get to take an action each round.

SPECIALIZED: Having an exceptional amount of skill in a task. Being specialized eases the task by two steps. So, if you are specialized in climbing, all your climbing tasks are eased by two steps.

STAT: One of the three defining characteristics for PCs: Might, Speed, or Intellect. Each stat has two values: Pool and Edge. Your Pool represents your raw, innate ability, and your Edge represents knowing how to use what you have. Each stat Pool can increase or decrease over the course of play—for example, you can lose points from your Might Pool when struck by an opponent, spend points from your Intellect Pool to activate a special ability, or rest to recover points in your Speed Pool after a long day of marching. Anything that damages a stat, restores a stat, or boosts or penalizes a stat affects the stat’s Pool.

TASK: Any action that a PC attempts. The GM determines the difficulty of the task. In general, a task is something that you do and an action is you performing that task, but in most cases they mean the same thing.

TRAINED: Having a reasonable amount of skill in a task. Being trained eases the task. For example, if you are trained in climbing, all climbing tasks for you are eased. If you become very skilled at that task, you become specialized instead of trained. You do not need to be trained to attempt a task.

TURN: The part of the round when a character or creature takes its actions. For example, if a Warrior and an Adept are fighting an orc, each round the Warrior takes an action on their turn, the Adept takes an action on their turn, and the orc takes an action on its turn. Some abilities or effects last only one turn, or end when the next turn is started.

TAKING ACTION

Each character gets one turn each round. On a character’s turn, they can do one thing—an action. All actions fall into one of three categories: Might, Speed, or Intellect (just like the three stats). Many actions require die rolls—rolling a d20.

Every action performs a task, and every task has a difficulty that determines what number a character must reach or surpass with a die roll to succeed.

Most tasks have a difficulty of 0, which means the character succeeds automatically. For example, walking across a room, opening a door, and throwing a stone into a nearby bucket are all actions, but none of them requires a roll. Actions that are usually difficult or that become difficult due to the situation (such as shooting at a target in a blizzard) have a higher difficulty. These actions usually require a roll.

Some actions require a minimum expenditure of Might, Speed, or Intellect points. If a character cannot spend the minimum number of points needed to complete the action, they automatically fail at the task.

DETERMINING TASK STAT

Every task relates to one of a character’s three stats: Might, Speed, or Intellect. Physical activities that require strength, power, or endurance relate to Might. Physical activities that require agility, flexibility, or fast reflexes relate to Speed. Mental activities that require force of will, memory, or mental power relate to Intellect. This means you can generalize tasks into three categories: Might tasks, Speed tasks, and Intellect tasks. You can also generalize rolls into three categories: Might rolls, Speed rolls, and Intellect rolls.

The category of the task or roll determines what kind of Effort you can apply to the roll and may determine how a character’s other abilities affect the roll. For example, an Adept may have an ability that makes them better at Intellect rolls, and a Warrior may have an ability that makes them better at Speed rolls.

DETERMINING TASK DIFFICULTY

The most frequent thing a GM does during the game—and probably the most important thing—is set a task’s difficulty. To make the job easier, use the Task Difficulty table, which associates a difficulty rating with a descriptive name, a target number, and general guidance about the difficulty.

Every difficulty from 1 to 10 has a target number associated with it. The target number is easy to remember: it’s always three times the difficulty. The target number is the minimum number a player needs to roll on a d20 to succeed at the task. Moving up or down on the table is called hindering or easing, which is measured in steps.

For example, reducing a difficulty 5 task to a difficulty 4 task is “easing the difficulty by one step” or just “easing the difficulty” or “easing the task.” Most modifiers affect the difficulty rather than the player’s roll. This has two consequences:

Low target numbers such as 3 or 6, which would be boring in most games that use a d20, are not boring in the Cypher System. For example, if you need to roll a 6 or higher, you still have a 25% chance to fail.

The upper levels of difficulty (7, 8, 9, and 10) are all but impossible because the target numbers are 21 or higher, which you can’t roll on a d20. However, it’s common for PCs to have abilities or equipment that ease a task and thus lower the target number to something they can roll on a d20.

A character’s tier does not determine a task’s level. Things don’t get more difficult just because a character’s tier increases—the world doesn’t instantly become a more difficult place. Fourth-tier characters don’t deal only with level 4 creatures or difficulty 4 tasks (although a fourth-tier character probably has a better shot at success than a first-tier character does). Just because something is level 4 doesn’t necessarily mean it’s meant only for fourth-tier characters. Similarly, depending on the situation, a fifth-tier character could find a difficulty 2 task just as challenging as a second-tier character does.

Therefore, when setting the difficulty of a task, the GM should rate the task on its own merits, not on the power of the characters.

MODIFYING THE DIFFICULTY

After the GM sets the difficulty for a task, the player can try to modify it for their character. Any such modification applies only to this particular attempt at the task. In other words, rewiring an electronic door lock normally might be difficulty 6, but since the character doing the work is skilled in such tasks, has the right tools, and has another character assisting them, the difficulty in this instance might be much lower. That’s why it’s important for the GM to set a task’s difficulty without taking the character into account. The character comes in at this step.

By using skills and assets, working together, and—perhaps most important—applying Effort, a character can ease a task by multiple steps to make it easier. Rather than adding bonuses to the player’s roll, reducing the difficulty lowers the target number. If they can reduce the difficulty of a task to 0, no roll is needed; success is automatic. (An exception is if the GM decides to use a GM intrusion on the task, in which case the player would have to make a roll at the original difficulty.)

There are three basic ways in which a character can ease a task: skills, assets, and Effort. Each method eases the task by at least one step—never in smaller increments.

(By using skills, assets, and Effort, a character can ease a task by a maximum of ten steps: one or two steps from skills, one or two steps from assets, and one to six steps from Effort.)

SKILLS

Characters may be skilled at performing a specific task. A skill can vary from character to character. For example, one character might be skilled at lying, another might be skilled at trickery, and a third might be skilled in all interpersonal interactions. The first level of being skilled is called being trained, and it eases that task by one step. More rarely, a character can be incredibly skilled at performing a task. This is called being specialized, and it eases the task by two steps instead of one. Skills can never decrease a task by more than two steps—any more than two steps from being trained and specialized don’t count.

ASSETS

An asset is anything that helps a character with a task, such as having a really good crowbar when trying to force open a door or being in a rainstorm when trying to put out a fire. Appropriate assets vary from task to task. The perfect awl might help when woodworking, but it won’t make a dance performance much better. An asset usually eases a task by one step. Assets can never ease a task by more than two steps—any more than two steps from assets don’t count.

(The important thing to remember is that a skill can reduce the difficulty by no more than two steps, and assets can reduce the difficulty by no more than two steps, regardless of the situation. Thus, no task’s difficulty will ever be reduced by more than four steps without using Effort.)

분발 Effort

A player can apply Effort to ease a task. To do this, the player spends points from the stat Pool that’s most appropriate to the task. For example, applying Effort to push a heavy rock off a cliff requires a player to spend points from the character’s Might Pool; applying Effort to activate an unusual machine interface requires them to spend points from the character’s Intellect Pool. For every level of Effort spent on a task, the task is eased. It costs 3 points from a stat Pool to apply one level of Effort, and it costs 2 additional points for every level thereafter (so it costs 5 points for two levels of Effort, 7 points for three levels of Effort, and so on). A character must spend points from the same stat Pool as the type of task or roll—Might points for a Might roll, Speed points for a Speed roll, or Intellect points for an Intellect roll.

Every character has a maximum level of Effort they can apply to a single task. Effort can never ease a task by more than six steps—any more than six steps from applying Effort doesn’t count.

Free Level of Effort: A few abilities give you a free level of Effort (these usually require you to apply at least one level of Effort to a task). In effect, you’re getting one more level of Effort than what you paid for. This free level of Effort can exceed the Effort limit for your character, but not the six-step limit for easing a task.

ROLLING THE DIE

To determine success or failure, a player rolls a die (always a d20). If they roll the target number or higher, they succeed. Most of the time, that’s the end of it—nothing else needs to be done. Rarely, a character might apply a small modifier to the roll. If they have a +2 bonus when attempting specific actions, they add 2 to the number rolled. However, the original roll matters if it’s a special roll.

If a character applies a modifier to the die roll, it’s possible to get a result of 21 or higher, in which case they can attempt a task with a target number above 20. But if there is no possibility for success—if not even rolling a natural 20 (meaning the d20 shows that number) is sufficient to accomplish the task—then no roll is made. Otherwise, characters would have a chance to succeed at everything, even impossible or ridiculous tasks such as climbing moonbeams, throwing elephants, or hitting a target on the opposite side of a mountain with an arrow.

If a character’s modifiers add up to +3, treat them as an asset instead. In other words, instead of adding a +3 bonus to the roll, reduce the difficulty by one step. For example, if a Warrior has a +1 bonus to attack rolls from a minor effect, a +1 bonus to attack rolls from a special weapon quality, and a +1 bonus to attack rolls from a special ability, they do not add 3 to their attack roll—instead, they reduce the difficulty of the attack by one step. So if they attack a level 3 foe, they would normally roll against difficulty 3 and try to reach a target number of 9, but thanks to their asset, they roll against difficulty 2 and try to reach a target number of 6.

This distinction is important when stacking skills and assets to decrease the difficulty of an action, especially since reducing the difficulty to 0 or lower means no roll is needed.

THE PLAYER ALWAYS ROLLS

In the Cypher System, players always drive the action. That means they make all the die rolls. If a PC leaps out of a moving vehicle, the player rolls to see if they succeed. If a PC searches for a hidden panel, the player rolls to determine whether they find it. If a rockslide falls on a PC, the player rolls to try to get out of the way. If a PC and an NPC arm wrestle, the player rolls, and the NPC’s level determines the target number. If a PC attacks a foe, the player rolls to see if they hit. If a foe attacks the PC, the player rolls to see if they dodge the blow.

As shown by the last two examples, the PC rolls whether they are attacking or defending. Thus, something that improves defenses might ease or hinder their rolls. For example, if a PC uses a low wall to gain cover from attacks, the wall eases the player’s defense rolls. If a foe uses the wall to gain cover from the PC’s attacks, it hinders the player’s attack rolls.

특수 효과 SPECIAL ROLLS

If a character rolls a natural 1, 17, 18, 19, or 20 (meaning the d20 shows that number), special rules come into play. These are explained in more detail in the following sections.

• 1: GM Intrusion. The GM makes a free intrusion (see below) and doesn’t award experience points (XP) for it.
• 17: Damage Bonus. If the roll was a damage-dealing attack, it deals 1 additional point of damage.
• 18: Damage Bonus. If the roll was a damage-dealing attack, it deals 2 additional points of damage.
• 19: Minor Effect. If the roll was a damage-dealing attack, it deals 3 additional points of damage or the PC gets a minor effect in addition to the normal results of the task. If the roll was something other than an attack, the PC gets a minor effect in addition to the normal results of the task.
• 20: Major Effect. If the roll was a damage-dealing attack, it deals 4 additional points of damage or the PC gets a major or minor effect in addition to the normal results of the task. If the roll was something other than an attack, the PC gets a major effect in addition to the normal results of the task. If the PC spent points from a stat Pool on the action, the point cost for the action decreases to 0, meaning the character regains those points as if they had not spent them at all.

GM INTRUSION

GM intrusion is explained in more detail in the Running the Cypher System chapter, but essentially it means that something occurs to complicate the character’s life. The character hasn’t necessarily fumbled or done anything wrong (although perhaps they did). It could just be that the task presents an unexpected difficulty or something unrelated affects the current situation.

For GM intrusion on a defense roll, a roll of 1 might mean that the PC takes 2 additional points of damage from the attack, indicating that the opponent got in a lucky blow.

(For complete details about GM intrusion and how to use it to best effect in the game, see the Running the Cypher System chapter.)

MINOR EFFECT

A minor effect happens when a player rolls a natural 19. Most of the time, a minor effect is slightly beneficial to the PC, but not overwhelming.

A climber gets up the steep slope a bit faster. A repaired machine works a bit better. A character jumping down into a pit lands on their feet. Either the GM or the player can come up with a possible minor effect that fits the situation, but both must agree on what it should be.

Don’t waste a lot of time thinking of a minor effect if nothing appropriate suggests itself. Sometimes, in cases where only success or failure matters, it’s okay to have no minor effect. Keep the game moving at an exciting pace.

In combat, the easiest and most straightforward minor effect is dealing 3 additional points of damage with an attack. The following are other common minor effects for combat:

• Damage object: Instead of striking the foe, the attack strikes what the foe is holding. If the attack hits, the character makes a Might roll with a difficulty equal to the object’s level. On a success, the object moves one or more steps down the object damage track.
• Distract: For one round, all of the foe’s tasks are hindered.
• Knock back: The foe is knocked or forced back a few feet. Most of the time, this doesn’t matter much, but if the fight takes place on a ledge or next to a pit of lava, the effect can be significant.
• Move past: The character can move a short distance at the end of the attack. This effect is useful to get past a foe guarding a door, for example.
• Strike a specific body part: The attacker strikes a specific spot on the defender’s body. The GM rules what special effect, if any, results. For example, hitting a creature’s tentacle that is wrapped around an ally might make it easier for the ally to escape. Hitting a foe in the eye might blind it for one round. Hitting a creature in its one vulnerable spot might ignore Armor.

Usually, the GM just has the desired minor effect occur. For example, rolling a 19 against a relatively weak foe means it is knocked off the cliff. The effect makes the round more exciting, but the defeat of a minor creature has no significant impact on the story. Other times, the GM might rule that an additional roll is needed to achieve the effect—the special roll only gives the PC the opportunity for a minor effect. This mostly happens when the desired effect is very unlikely, such as pushing a 50-ton battle automaton off a cliff. If the player just wants to deal 3 additional points of damage as the minor effect, no extra roll is needed.

MAJOR EFFECT

A major effect happens when a player rolls a natural 20. Most of the time, a major effect is quite beneficial to the character. A climber gets up the steep slope in half the time. A jumper lands with such panache that those nearby are impressed and possibly intimidated. A defender makes a free attack on a foe.

Either the GM or the player can come up with a possible major effect that fits the situation, but both must agree on what it should be. As with minor effects, don’t spend a lot of time agonizing over the details of a major effect. In cases where only success or failure matters, a major effect might offer the character a one-time asset (a modification of one step) to use the next time they attempt a similar action. When nothing else seems appropriate, the GM can simply grant the PC an additional action on their turn that same round.

In combat, the easiest and most straightforward

major effect is dealing 4 additional points of damage with an attack. The following are other common major effects for combat.

• Disarm: The foe drops one object that it is holding.
• Impair: For the rest of the combat, all tasks the foe attempts are hindered.
• Knock down: The foe is knocked prone. It can get up on its turn.
• Stun: The foe loses its next action.

As with minor effects, usually the GM just has the desired major effect occur, but sometimes the GM might require an extra roll if the major effect is unusual or unlikely.

Retrying a Task after failure

If a character fails a task (whether it’s climbing a wall, picking a lock, trying to figure out a mysterious device, or something else) they can attempt it again, but they must apply at least one level of Effort when retrying that task. A retry is a new action, not part of the same action that failed, and it takes the same amount of time as the first attempt did. Sometimes the GM might rule that retries are impossible. Perhaps a character has one chance to convince the leader of a group of thugs not to attack, and after that, no amount of talking will stop them. This rule doesn’t apply to something like attacking a foe in combat because combat is always changing and fluid. Each round’s situation is new, not a repeat of a previous situation, so a missed attack can’t be retried.

INITIAL COST

The GM can assign a point cost to a task just for trying it. Called an initial cost, it’s simply an indication that the task is particularly taxing. For example, let’s say a character wants to try a Might action to open a heavy cellar door that is partially rusted shut. The GM says that forcing the door open is a difficulty 5 task, and there’s an initial cost of 3 Might points simply to try. This initial cost is in addition to any points the character chooses to spend on the roll (such as when applying Effort), and the initial cost points do not affect the difficulty of the task. In other words, the character must spend 3 Might points to attempt the task at all, but that doesn’t help them open the door. If they want to apply Effort to ease the task, they have to spend more points from their Might Pool.

Edge helps with the initial cost of a task, just as it does with any expenditure from a character’s Pool. In the previous example, if the character had a Might Edge of 2, they would have to spend only 1 point (3 points minus 2 from their Might Edge) for the initial cost to attempt the task. If they also applied a level of Effort to open the door, they couldn’t use their Edge again—Edge applies only once per action—so using the Effort would cost the full 3 points. Thus, they’d spend a total of 4 points (1 for the initial cost plus 3 for the Effort) from their Might Pool.

The rationale of the initial cost rule is that even in the Cypher System, where things like Effort can help a character succeed on an action, logic still suggests that some actions are very difficult and taxing, particularly for some PCs more than others.

DISTANCE

Distance is simplified into four basic categories: immediate, short, long, and very long.

Immediate distance from a character is within reach or within a few steps; if a character stands in a small room, everything in the room is within immediate distance. At most, immediate distance is 10 feet (3 m). Immediate distance is sometimes referred to as close, or even

point-blank, particularly when referring to ranges.

(The words “immediate” and “close” can be used interchangeably to talk about distance. If a creature or object is within arm’s reach of the character, it can be considered both immediate and close.)

Short distance is anything greater than immediate distance but less than 50 feet (15 m) or so.

Long distance is anything greater than short distance but less than 100 feet (30 m) or so.

Very long distance is anything greater than long distance but less than 500 feet (150 m) or so.

Beyond that range, distances are always specified—1,000 feet (300 m), 1 mile (1.5 km), and so on.

All weapons and special abilities use these terms for ranges. For example, all melee weapons have immediate range—they are close-combat weapons, and you can use them to attack anyone within immediate distance. A thrown knife (and most other thrown weapons) has short range. A small handgun also has short range. A rifle has long range.

A character can move an immediate distance as a part of another action. In other words, they can take a few steps to the light switch and flip it on. They can lunge across a small room to attack a foe. They can open a door and step through.

A character can move a short distance as their entire action for a turn. They can also try to move a long distance as their entire action, but the player might have to roll to see if the character slips, trips, or stumbles for moving so far so quickly.

GMs and players don’t need to determine exact distances. For example, if the PCs are fighting a group of guards, any character can likely attack any foe in the general melee—they’re all within immediate range. However, if one trooper stays back to fire a blaster, a character might have to use their entire action to move the short distance required to attack that foe. It doesn’t matter if the trooper is 20 feet (6 m) or 40 feet (12 m) away—it’s simply considered short distance. It does matter if the trooper is more than 50 feet (15 m) away because that distance would require a long move.

Boxed text: OTHER DISTANCES In rare cases where distances beyond very long are needed, real-world distances are best (1 mile, 100 kilometers, and so on). However, the following shorthand distances can be useful in some settings: Planetary: On the same planet. Interplanetary: Within the same solar system. Interstellar: Within the same galaxy. Intergalactic: Anywhere in the same universe. Interdimensional: Anywhere.

TIMEKEEPING

Generally, keep time the same way that you normally would, using minutes, hours, days, and weeks. Thus, if the characters walk overland for 15 miles (24 km), about eight hours pass, even though the journey can be described in only a few seconds at the game table. Precision timekeeping is rarely important. Most of the time, saying things like “That takes about an hour” works fine. This is true even when a special ability has a specific duration. In an encounter, a duration of “one minute” is mostly the same as saying “the rest of the encounter.” You don’t have to track each round that ticks by if you don’t want to. Likewise, an ability that lasts for ten minutes can safely be considered the length of an in-depth conversation, the time it takes to quickly explore a small area, or the time it takes to rest after a strenuous activity.

TIMEKEEPING

ENCOUNTERS, ROUNDS, AND INITIATIVE

Sometimes in the course of the game, the GM or players will refer to an “encounter.” Encounters are not so much measurements of time as they are events or instances in which something happens, like a scene of a movie or a chapter in a book. An encounter might be a fight with a foe, a dramatic crossing of a raging river, or a stressful negotiation with an important official. It’s useful to use the word when referring to a specific scene, as in “My Might Pool is low after that encounter with the soul sorcerer yesterday.”

A round is about five to ten seconds. The length of time is variable because sometimes one round might be a bit longer than another. You don’t need to measure time more precisely than that. You can estimate that on average there are about ten rounds in a minute. In a round, everyone—each character and NPC—gets to take one action.

To determine who goes first, second, and so on in a round, each player makes a Speed roll called an initiative roll. Most of the time, it’s only important to know which characters act before the NPCs and which act after the NPCs. On an initiative roll, a character who rolls higher than an NPC’s target number takes their action before the NPC does. As with all target numbers, an NPC’s target number for an initiative roll is three times the NPC’s level. Many times, the GM will have all NPCs take their actions at the same time, using the highest target number from among all the NPCs. Using this method, any characters who rolled higher than the target number act first, then all the NPCs act, and finally any characters who rolled lower than the target number act.

(An initiative roll is a d20 roll. Since your initiative depends on how fast you are, if you spend Effort on the roll, the points come from your Speed Pool.)

The order in which the characters act usually isn’t important. If the players want to go in a precise order, they can act in initiative order (highest to lowest), by going around the table, by going oldest to youngest, and so on.

For example, Charles, Tammie, and Shanna’s characters are in combat with two level 2 security guards. The GM has the players make Speed rolls to determine initiative. Charles rolls an 8, Shanna rolls a 15, and Tammie rolls a 4. The target number for a level 2 creature is 6, so each round Charles and Shanna act before the guards, then the guards act, and finally Tammie acts. It doesn’t matter whether Charles acts before or after Shanna, as long as they think it’s fair.

After everyone—all PCs and NPCs—in the combat has had a turn, the round ends and a new round begins. In all rounds after the first, everyone acts in the same order as they did in the first round. The characters cycle through this order until the logical end of the encounter (the end of the fight or the completion of the event) or until the GM asks them to make new initiative rolls. The GM can call for new initiative rolls at the beginning of any new round when conditions drastically change. For example, if the NPCs gain reinforcements, the environment changes (perhaps the lights go out), the terrain changes (maybe part of the balcony collapses under the PCs), or something similar occurs, the GM can call for new initiative rolls.

Since the action moves as a cycle, anything that lasts for a round ends where it started in the cycle. If Umberto uses an ability on an opponent that hinders its defenses for one round, the effect lasts until Umberto acts on his next turn.

A CLOSER LOOK AT SITUATIONS THAT DON’T INVOLVE PCs

Ultimately, the GM is the arbiter of conflicts that do not involve the PCs. They should be adjudicated in the most interesting, logical, and story-based way possible. When in doubt, match the level of the NPCs (characters or creatures) or their respective effects to determine the results. Thus, if a level 4 NPC fights a level 3 NPC, the level 4 NPC will win, but if they face a level 7 NPC, they’ll lose. Likewise, a level 4 creature resists poisons or devices of level 3 or lower but not those of level 5 and above.

The essence is this: in the Cypher System, it doesn’t matter if something is a creature, a poison, or a gravity-dispelling ray. If it’s a higher level, it wins; if it’s a lower level, it loses. If two things of equal level oppose each other, there might be a long, drawn-out battle that could go either way.

ACTIONS

Anything that your character does in a round is an action. It’s easiest to think of an action as a single thing that you can do in five to ten seconds. For example, if you use your dart thrower to shoot a strange floating orb, that’s one action. So is running for cover behind a stack of barrels, prying open a stuck door, using a rope to pull your friend up from a pit, or activating a cypher (even if it’s stored in your pack).

Opening a door and attacking a security guard on the other side are two actions. It’s more a matter of focus than time. Drawing your sword and attacking a foe is all one action. Putting away your bow and pushing a heavy bookcase to block a door are two actions because each requires a different train of thought.

If the action you want to accomplish is not within reach, you can move a little bit. Essentially, you can move up to an immediate distance to perform your action. For example, you can move an immediate distance and attack a foe, open a door and move an immediate distance into the hallway beyond, or grab your hurt friend lying on the ground and pull them back a few steps. This movement can occur before or after your action, so you can move to a door and open it, or you can open a door and move through it.

The most common actions are:

• Attack
• Activate a special ability (one that isn’t an attack)
• Move
• Wait
• Defend
• Do something else

ACTION: ATTACK

An attack is anything that you do to someone that they don’t want you to do. Slashing a foe with a curved dagger is an attack, blasting a foe with a lightning artifact is an attack, wrapping a foe in magnetically controlled metal cables is an attack, and controlling someone’s mind is an attack. An attack almost always requires a roll to see if you hit or otherwise affect your target. In the simplest kind of attack, such as a PC trying to stab a thug with a knife, the player rolls and compares their result to the opponent’s target number. If their roll is equal to or greater than the target number, the attack hits. Just as with any kind of task, the GM might modify the difficulty based on the situation, and the player might have a bonus to the roll or might try to ease the task using skills, assets, or Effort. A less straightforward attack might be a special ability that stuns a foe with a mental blast. However, it’s handled the same way: the player makes a roll against the opponent’s target number. Similarly, an attempt to tackle a foe and wrestle it to the ground is still just a roll against the foe’s target number. Attacks are sometimes categorized as “melee” attacks, meaning that you hurt or affect something within immediate reach, or “ranged” attacks, meaning that you hurt or affect something at a distance. Melee attacks can be Might or Speed actions—player choice. Physical ranged attacks (such as bows, thrown weapons, and blasts of fire from a mutation) are almost always Speed actions, but those that come from special abilities tend to be Intellect actions. Special abilities that require touching the target require a melee attack. If the attack misses, the power is not wasted, and you can try again each round as your action until you hit the target, use another ability, or take a different action that requires you to use your hands. These attempts in later rounds count as different actions, so you don’t have to keep track of how much Effort you used when you activated the ability or how you used Edge. For example, let’s say that in the first round of combat, you activate a special ability that requires you to touch your foe and you use Effort to ease the attack, but you roll poorly and miss your foe. In the second round of combat, you can try attacking again and use Effort to ease the attack roll. The GM and players are encouraged to describe every attack with flavor and flair. One attack roll might be a stab to the foe’s arm. A miss might be the PC’s sword slamming into the wall. Combatants lunge, block, duck, spin, leap, and make all kinds of movements that should keep combat visually interesting and compelling. The Running the Cypher System chapter has much more guidance in this regard. Common elements that affect the difficulty of a combat task are cover, range, and darkness. The rules for these and other modifiers are explained in the Attack Modifiers and Special Situations section of this chapter.

Damage When an attack strikes a character, it usually means the character takes damage. An attack against a PC subtracts points from one of the character’s stat Pools—usually the Might Pool. Whenever an attack simply says it deals “damage” without specifying the type, it means Might damage, which is by far the most common type. Intellect damage, which is usually the result of a mental attack, is always labeled as Intellect damage. Speed damage is often a physical attack, but attacks that deal Speed damage are fairly rare. NPCs don’t have stat Pools. Instead, they have a characteristic called health. When an NPC takes damage of any kind, the amount is subtracted from its health. Unless described otherwise, an NPC’s health is always equal to its target number. Some NPCs might have special reactions to or defenses against attacks that would normally deal Speed damage or Intellect damage, but unless the NPC’s description specifically explains this, assume that all damage is subtracted from the NPC’s health. Objects don’t have stat Pools or health. They have an object damage track, just like how PCs have a damage track. Attacking objects might move them down their damage track. Damage is always a specific amount determined by the attack. For example, a slash with a broadsword or a blast with a spike thrower deals 4 points of damage. An Adept’s Onslaught deals 4 points of damage. Often, there are ways for the attacker to increase the damage. For example, a PC can apply Effort to deal 3 additional points of damage, and rolling a natural 17 on the attack roll deals 1 additional point of damage.

Armor Pieces of equipment and special abilities protect a character from damage by giving them Armor. Each time a character takes damage, subtract their Armor value from the damage before reducing their stat Pool or health. For example, if a Warrior with 2 Armor is hit by a gunshot that deals 4 points of damage, they take only 2 points of damage (4 minus 2 from their Armor). If Armor reduces the incoming damage to 0 or lower, the character takes no damage from the attack. For example, the Warrior’s 2 Armor protects them from all physical attacks that deal 1 or 2 points of damage. The most common way to get Armor is to wear physical armor, such as a leather jacket, a bulletproof vest, a chainmail hauberk, bioengineered carapace grafts, or something else, depending on the setting. All physical armor comes in one of three categories: light, medium, or heavy. Light armor gives the wearer 1 point of Armor, medium gives 2 points of Armor, and heavy gives 3 points of Armor. When you see the word “Armor” capitalized in the game rules (other than in the name of a special ability), it refers to your Armor characteristic—the number you subtract from incoming damage. When you see the word “armor” in lowercase, it refers to any physical armor you might wear. Other effects can add to a character’s Armor. If a character is wearing chainmail (+2 to Armor) and has an ability that covers them in a protective force field that grants +1 to Armor, their total is 3 Armor. If they also use a cypher that hardens their flesh temporarily for +1 to Armor, their total is 4 Armor. Some types of damage ignore physical armor. Attacks that specifically deal Speed damage or Intellect damage ignore Armor; the creature takes the listed amount of damage without any reduction from Armor. Ambient damage (see below) usually ignores Armor as well. A creature may have a special bonus to Armor against certain kinds of attacks. For example, a protective suit made of a sturdy, fire-resistant material might normally give its wearer +1 to Armor but count as +3 to Armor against fire attacks. An artifact worn as a helmet might grant +2 to Armor only against mental attacks.

Ambient Damage Some kinds of damage aren’t direct attacks against a creature, but they indirectly affect everything in the area. Most of these are environmental effects such as winter cold, high temperatures, or background radiation. Damage from these kinds of sources is called ambient damage. Physical armor usually doesn’t protect against ambient damage, though a well-insulated suit of armor can protect against cold weather.

Damage From Hazards Attacks aren’t the only way to inflict damage on a character. Experiences such as falling from a great height, being burned in a fire, and spending time in severe weather also deal damage. Although no list of potential hazards could be comprehensive, the Damage From Hazards table includes common examples.

DAMAGE FROM HAZARDS Source Damage Notes Falling 1 point per 10 feet (3 m) fallen (ambient damage) — Minor fire 3 points per round (ambient damage) Torch Major fire 6 points per round (ambient damage) Engulfed in flames; lava Acid splash 2 points per round (ambient damage) — Acid bath 6 points per round (ambient damage) Immersed in acid Cold 1 point per round (ambient damage) Below freezing temperatures Severe cold 3 points per round (ambient damage) Liquid nitrogen Shock 1 point per round (ambient damage) Often involves losing next action Electrocution 6 points per round (ambient damage) Often involves losing next action Crush 3 points Object or creature falls on character Huge crush 6 points Roof collapse; cave-in Collision 6 points Large, fast object strikes character

The Effects of Taking Damage When an NPC reaches 0 health, it is either dead or (if the attacker wishes) incapacitated, meaning unconscious or beaten into submission. As previously mentioned, damage from most sources is applied to a character’s Might Pool. Otherwise, stat damage always reduces the Pool of the stat it affects. If damage reduces a character’s stat Pool to 0, any further damage to that stat (including excess damage from the attack that reduced the stat to 0) is applied to another stat Pool. Damage is applied to Pools in this order:

1. Might (unless the Pool is 0)
2. Speed (unless the Pool is 0)
3. Intellect Even if the damage is applied to another stat Pool, it still counts as its original type for the purpose of Armor and special abilities that affect damage. For example, if a character with 2 Armor is reduced to 0 Might and then is hit by a creature’s claw for 3 points of damage, it still counts as Might damage, so their Armor reduces the damage to 1 point, which then is applied to their Speed Pool. In other words, even though they take the damage from their Speed Pool, it doesn’t ignore Armor like Speed damage normally would. In addition to taking damage from their Might Pool, Speed Pool, or Intellect Pool, PCs also have a damage track. The damage track has four states (from best to worst): hale, impaired, debilitated, and dead. When one of a PC’s stat Pools reaches 0, they move one step down the damage track. Thus, if they are hale, they become impaired. If they are already impaired, they become debilitated. If they are already debilitated, they become dead. Some effects can immediately shift a PC one or more steps on the damage track. These include rare poisons, cellular disruption attacks, and massive traumas (such as falls from very great heights, being run over by a speeding vehicle, and so on, as determined by the GM). Some attacks, like a serpent’s poisonous bite or a Speaker’s Enthrall, have effects other than damage to a stat Pool or shifting the PC on the damage track. These attacks can cause unconsciousness, paralysis, and so on. (When NPCs (who have only health) suffer Speed or Intellect damage, normally this is treated the same as Might damage. However, the GM or the player has the option to suggest an appropriate alternate effect—the NPC suffers a penalty, moves more slowly, is stunned, and so on.)

The Damage Track As noted above, the damage track has four states: hale, impaired, debilitated, and dead. Hale is the normal state for a character: all three stat Pools are at 1 or higher, and the PC has no penalties from harmful conditions. When a hale PC takes enough damage to reduce one of their stat Pools to 0, they become impaired. Note that a character whose stat Pools are much lower than normal can still be hale. Impaired is a wounded or injured state. When an impaired character applies Effort, it costs 1 extra point per level applied. For example, applying one level of Effort costs 4 points instead of 3, and applying two levels of Effort costs 7 points instead of 5. An impaired character ignores minor and major effect results on their rolls, and they don’t deal as much extra damage in combat with a special roll. In combat, a roll of 17 or higher deals only 1 additional point of damage. When an impaired PC takes enough damage to reduce one of their stat Pools to 0, they become debilitated. Debilitated is a critically injured state. A debilitated character may not take any actions other than to move (probably crawl) no more than an immediate distance. If a debilitated character’s Speed Pool is 0, they can’t move at all. When a debilitated PC takes enough damage to reduce a stat Pool to 0, they are dead. Dead is dead. (The damage track allows you to know how far from death you are. If you’re hale, you’re three steps from death. If you’re impaired, you’re two steps from death. If you’re debilitated, you are only one small step from death’s door.)

Recovering Points in a Pool After losing or spending points in a Pool, you recover those points by resting. You can’t increase a Pool past its maximum by resting—just back to its normal level. Any extra points gained go away with no effect. The amount of points you recover from a rest, and how long each rest takes, depends on how many times you have rested so far that day. When you rest, make a recovery roll. To do this, roll a d6 and add your tier. You recover that many points, and you can divide them among your stat Pools however you wish. For example, if your recovery roll is 4 and you’ve lost 4 points of Might and 2 points of Speed, you can recover 4 points of Might, or 2 points of Might and 2 points of Speed, or any other combination adding up to 4 points. The first time you rest each day, it takes only a few seconds to catch your breath. If you rest this way in the middle of an encounter, it takes one action on your turn. The second time you rest each day, you must rest for ten minutes to make a recovery roll. The third time you rest each day, you must rest for one hour to make a recovery roll. The fourth time you rest each day, you must rest for ten hours to make a recovery roll (usually, this occurs when you stop for the day to eat and sleep). After that much rest, it’s assumed to be a new day, so the next time you rest, it takes only a few seconds. The next rest takes ten minutes, then one hour, and so on, in a cycle. If you haven’t rested yet that day and you take a lot of damage in a fight, you could rest a few seconds (regaining 1d6 points + 1 point per tier) and then immediately rest for ten minutes (regaining another 1d6 points + 1 point per tier). Thus, in one full day of doing nothing but resting, you could recover 4d6 points + 4 points per tier. Each character chooses when to make recovery rolls. If a party of five PCs rests for ten minutes because two of them want to make recovery rolls, the others don’t have to make rolls at that time. Later in the day, those three can decide to rest for ten minutes and make recovery rolls. Recovery Roll Rest Time Needed First recovery roll One action Second recovery roll Ten minutes Third recovery roll One hour Fourth recovery roll Ten hours

Restoring the Damage Track Using points from a recovery roll to raise a stat Pool from 0 to 1 or higher also automatically moves the character up one step on the damage track. If all of a PC’s stat Pools are above 0 and the character has taken special damage that moved them down the damage track, they can use a recovery roll to move up one step on the damage track instead of recovering points. For example, a character who is debilitated from a hit with a cell-disrupting biotech device can rest and move up to impaired rather than recover points in a Pool.

Special Damage In the course of playing the game, characters face all manner of threats and dangers that can harm them in a variety of ways, only some of which are easily represented by points of damage. Dazed and Stunned: Characters can be dazed when struck hard on the head, exposed to extremely loud sounds, or affected by a mental attack. When this happens, for the duration of the daze effect (usually one round), all of the character’s tasks are hindered. Similar but more severe attacks can stun characters. Stunned characters lose their turn (but can still defend against attacks normally). Poison and Disease: When characters encounter poison—whether the venom of a serpent, rat poison slipped into a burrito, cyanide dissolved in wine, or an overdose of acetaminophen—they make a Might defense roll to resist it. Failure to resist can result in points of damage, moving down the damage track, or a specific effect such as paralysis, unconsciousness, disability, or something stranger. For example, some poisons affect the brain, making it impossible to say certain words, take certain actions, resist certain effects, or recover points to a stat Pool. Diseases work like poisons, but their effect occurs every day, so the victim must make a Might defense roll each day or suffer the effects. Disease effects are as varied as poisons: points of damage, moving down the damage track, disability, and so on. Many diseases inflict damage that cannot be restored through conventional means. Paralysis: Paralytic effects cause a character to drop to the ground, unable to move. Unless otherwise specified, the character can still take actions that require no physical movement. Other Effects: Other special effects can render a character blind or deaf, unable to stand without falling over, or unable to breathe. Stranger effects might negate gravity for the character (or increase it a hundredfold), transport them to another place, render them out of phase, mutate their physical form, implant false memories or senses, alter the way their brain processes information, or inflame their nerves so they are in constant, excruciating pain. Each special effect must be handled on a case-by-case basis. The GM adjudicates how the character is affected and how the condition can be alleviated (if possible).

NPCs and Special Damage The GM always has final say over what special damage will affect an NPC. Human NPCs usually react like characters, but nonhuman creatures might react very differently. For example, a tiny bit of venom is unlikely to hurt a gigantic dragon, and it won’t affect an android or a demon at all. If an NPC is susceptible to an attack that would shift a character down the damage track, using that attack on the NPC usually renders it unconscious or dead. Alternatively, the GM could apply the debilitated condition to the NPC, with the same effect as it would have on a PC.

ATTACK MODIFIERS AND SPECIAL SITUATIONS In combat situations, many modifiers might come into play. Although the GM is at liberty to assess whatever modifiers they think are appropriate to the situation (that’s their role in the game), the following suggestions and guidelines might make that easier. Often the modifier is applied as a step in difficulty. So if a situation hinders attacks, that means if a PC attacks an NPC, the difficulty of the attack roll is increased by one step, and if an NPC attacks a PC, the difficulty of the defense roll is decreased by one step. This is because players make all rolls, whether they are attacking or defending—NPCs never make attack or defense rolls. When in doubt, if it seems like it should be harder to attack in a situation, hinder the attack rolls. If it seems like attacks should gain an advantage or be easier in some way, hinder the defense rolls. (Precise ranges are not important in the Cypher System. The broadly defined “immediate,” “short,” “long,” and “very long” ranges let the GM quickly make a judgment call and keep things moving. Basically, the idea is: your target is right there, your target is close, your target is pretty far away, or your target is extremely far away.)

Cover If a character is behind cover so that a significant portion of their body is behind something sturdy, attacks against the character are hindered. If a character is entirely behind cover (their entire body is behind something sturdy), they can’t be attacked unless the attack can go through the cover. For example, if a character hides behind a thin wooden screen and their opponent shoots the screen with a rifle that can penetrate the wood, the character can be attacked. However, because the attacker can’t see the character clearly, this still counts as cover (attacks against the character are hindered).

Position Sometimes where a character stands gives them an advantage or a disadvantage. Prone Target: In melee, a prone target is easier to hit (attacks against them are eased). In ranged combat, a prone target is harder to hit (attacks against them are hindered). Higher Ground: In either ranged or melee combat, attacks by an opponent on higher ground are eased.

Surprise When a target isn’t aware of an incoming attack, the attacker has an advantage. A ranged sniper in a hidden position, an invisible assailant, or the first salvo in a successful ambush are all eased by two steps. For the attacker to gain this advantage, however, the defender truly must have no idea that the attack is coming. If the defender isn’t sure of the attacker’s location but is still on guard, the attacks are eased by only one step.

Range In melee, you can attack a foe who is adjacent to you (next to you) or within reach (immediate range). If you enter into melee with one or more foes, usually you can attack most or all of the combatants, meaning they are next to you, within reach, or within reach if you move slightly or have a long weapon that extends your reach. The majority of ranged attacks have only two ranges: short range and long range (a few have very long range). Short range is generally less than 50 feet (15 m) or so. Long range is generally from 50 feet (15 m) to about 100 feet (30 m). Very long range is generally 100 feet (30 m) to 500 feet (150 m). Greater precision than that isn’t important in the Cypher System. If anything is longer than very long range, the exact range is usually spelled out, such as with an item that can fire a beam 1,000 feet (300 m) or teleport you up to 1 mile (1.5 km) away. Thus, the game has four measurements of distance: immediate, short, long, and very long. These apply to movement as well. A few special cases—point-blank range and extreme range— modify an attack’s chance to successfully hit. Point-Blank Range: If a character uses a ranged weapon against a target within immediate range, the attack is eased. Extreme Range: Targets just at the limit of a weapon’s range are at extreme range. Attacks against such targets are hindered. (The GM might allow a character with a ranged weapon to attack beyond extreme range, but the attack would be hindered by two steps for each range category beyond the normal limit. Attacks with hard limits, such as the blast radius of a bomb, can’t be modified.) (In certain situations, such as a PC on top of a building looking across an open field, the GM should allow ranged attacks to exceed their maximum range. For example, in perfect conditions, a good archer can hit a large target with a bow and arrow at 500 feet (150 m), much farther than a bow’s typical long range.)

Illumination What characters can see (and how well they can see) plays a huge factor in combat. Dim Light: Dim light is approximately the amount of light on a night with a bright full moon or the illumination provided by a torch, flashlight, or desk lamp. Dim light allows you to see out to short range. Targets in dim light are harder to hit. Attacks against such targets are hindered. Attackers trained in low-light spotting negate this modifier. Very Dim Light: Very dim light is approximately the amount of light on a starry night with no visible moon, or the glow provided by a candle or an illuminated control panel. Very dim light allows you to see clearly only within immediate range and perceive vague shapes to short range. Targets in very dim light are harder to hit. Attacks against targets within immediate range are hindered, and attacks against those in short range are hindered by two steps. Attackers trained in low-light spotting modify these difficulties by one step in their favor. Attackers specialized in low-light spotting modify these difficulties by two steps in their favor. Darkness: Darkness is an area with no illumination at all, such as a moonless night with cloud cover or a room with no lights. Targets in complete darkness are nearly impossible to hit. If an attacker can use other senses (such as hearing) to get an idea of where the opponent might be, attacks against such targets are hindered by four steps. Otherwise, attacks in complete darkness fail without the need for a roll unless the player spends 1 XP to “make a lucky shot” or the GM uses GM intrusion. Attackers trained in low-light spotting ease the task. Attackers specialized in low-light spotting ease the task by two steps.

Visibility Similar to illumination, factors that obscure vision affect combat. Mist: A target in mist is similar to one in dim light. Ranged attacks against such targets are hindered. Particularly dense mist makes ranged attacks nearly impossible (treat as darkness), and even melee attacks are hindered. Hiding Target: A target in dense foliage, behind a screen, or crawling amid the rubble in a ruin is hard to hit because they’re hard to see. Ranged attacks against such targets are hindered. Invisible Target: If an attacker can use other senses (such as hearing) to get an idea of where the opponent might be, attacks against such targets are hindered by four steps. Otherwise, attacks against an invisible creature fail without the need for a roll unless the player spends 1 XP to “make a lucky shot” or the GM uses GM intrusion.

Water Being in shallow water can make it hard to move, but it doesn’t affect combat. Being in deep water can make things difficult, and being underwater entirely can seem as different as being on another world. Deep Water: Being in water up to your chest (or the equivalent thereof) hinders your attacks. Aquatic creatures ignore this modifier. Underwater Melee Combat: For nonaquatic creatures, being completely underwater makes attacking very difficult. Attacks with stabbing weapons are hindered, and melee attacks with slashing or bashing weapons are hindered by two steps. Aquatic creatures ignore these penalties. Underwater Ranged Combat: As with melee combat, nonaquatic creatures have problems fighting underwater. Some ranged attacks are impossible underwater—you can’t throw things, fire a bow or crossbow, or use a blowgun. Many firearms also do not work underwater. Attacks with weapons that do work underwater are hindered. Ranges underwater are reduced by one category; very-long-range weapons work only to long range, long-range weapons work only to short range, and short-range weapons work only to immediate range.

Moving Targets Moving targets are harder to hit, and moving attackers have a difficult time as well. Target Is Moving: Attackers trying to hit a foe who is moving very fast are hindered. (A foe moving very fast is one who is doing nothing but running, mounted on a moving creature, riding on a vehicle or moving conveyance, and so on.) Attacker Is Moving: An attacker trying to make an attack while moving under their own power (walking, running, swimming, and so on) takes no penalties. Attacks from a moving mount or moving vehicle are hindered; an attacker trained in riding or driving ignores this penalty. Attacker Is Jostled: Being jostled, such as while standing on a listing ship or a vibrating platform, makes attacking difficult. Such attacks are hindered. Characters trained in balancing or sailing would ignore penalties for being on a ship.

GRAVITY In a spacefaring campaign, characters may travel to worlds with stronger or weaker gravity than Earth’s. Likewise, strange technology or magic can cause gravity to fluctuate even in an Earth-based campaign. Characters who have a large amount of metal (wearing metal armor, using metal weapons, and so on) can be affected by fluctuating magnetism just as a character is affected by gravity. Low Gravity: Weapons that rely on weight, such as all heavy weapons, deal 2 fewer points of damage (dealing a minimum of 1 point of damage). Weapons with short range can reach to long range, and long-range weapons can reach to very long range. Characters trained in low-gravity maneuvering ignore the damage penalty. High Gravity: It’s hard to make effective attacks when the pull of gravity is very strong. Attacks (and all physical actions) made in high gravity are hindered. Ranges in high gravity are reduced by one category (very-long-range weapons reach only to long range, long-range weapons reach only to short range, and short-range weapons reach only to immediate range). Characters trained in high-gravity maneuvering ignore the change in difficulty but not the range decreases. Zero Gravity: It’s hard to maneuver in an environment without gravity. All physical actions (including attacks) made in zero gravity are hindered. Weapons with short range can reach to long range, long-range weapons can reach to very long range, and very-long-range weapons can reach to about 1,000 feet (300 m) instead of 500 feet (150 m). Characters trained in zero-gravity maneuvering ignore the change in difficulty.

SPECIAL SITUATION: COMBAT BETWEEN NPCs When an NPC ally of the PCs attacks another NPC, the GM can designate a player to roll and handle it like a PC attacking. Often, the choice is obvious. For example, a character who has a trained attack animal should roll when their pet attacks enemies. If an NPC ally accompanying the party leaps into the fray, that ally’s favorite PC rolls for them. NPCs cannot apply Effort. Of course, it’s perfectly fitting (and easier) to have the NPC ally use the cooperative action rules to aid a PC instead of making direct attacks, or to compare the levels of the two NPCs (higher wins).

SPECIAL SITUATION: COMBAT BETWEEN PCs When one PC attacks another PC, the attacking character makes an attack roll, and the other character makes a defense roll, adding any appropriate modifiers. If the attacking PC has a skill, ability, asset, or other effect that would ease the attack if it were made against an NPC, the character adds 3 to the roll for each step reduction (+3 for one step, +6 for two steps, and so on). If the attacker’s final result is higher, the attack hits. If the defender’s result is higher, the attack misses. Damage is resolved normally. The GM mediates all special effects.

SPECIAL SITUATION: AREA ATTACKS Sometimes, an attack or effect affects an area rather than a single target. For example, a grenade or a landslide can potentially harm or affect everyone in the area. In an area attack, all PCs in the area make appropriate defense rolls against the attack to determine its effect on them. If there are any NPCs in the area, the attacker makes a single attack roll against all of them (one roll, not one roll per NPC) and compares it to the target number of each NPC. If the roll is equal to or greater than the target number of a particular NPC, the attack hits that NPC. Some area attacks always deal at least a minimum amount of damage, even if the attacks miss or if a PC makes a successful defense roll. For example, consider a character who uses Shatter to attack six cultists (level 2; target number 6) and their leader (level 4; target number 12). The PC applies Effort to increase the damage and rolls an 11 for the attack roll. This hits the six cultists, but not the leader, so the ability deals 3 points of damage to each of the cultists. The description of Shatter says that applying Effort to increase the damage also means that targets take 1 point of damage if the PC fails the attack roll, so the leader takes 1 point of damage. In terms of what happens in the story, the cultists are caught flat-footed by the sudden detonation of one of their knives, but the leader ducks and is shielded from the blast. Despite the leader’s quick moves, the blast is so intense that a few bits of metal slice them.

SPECIAL SITUATION: ATTACKING OBJECTS Attacking an object is rarely a matter of hitting it. Sure, you can hit the broad side of a barn, but can you damage it? Attacking inanimate objects with a melee weapon is a Might action. Objects have levels and thus target numbers. Objects have a damage track that works like the damage track for PCs. Intact is the default state for an object. Minor damage is a slightly damaged state. An object with minor damage reduces its level by 1. Major damage is a critically damaged state. An object with major damage is broken and no longer functions. Destroyed is destroyed. The object is ruined, no longer functions, and cannot be repaired.

If the Might action to damage an object is a success, the object moves one step down the object damage track. If the Might roll exceeded the difficulty by 2 levels, the object instead moves two steps down the object damage track. If the Might roll exceeded the difficulty by 4 levels, the object instead moves three steps down the object damage track. Objects with minor or major damage can be repaired, moving them one or more steps up the object damage track. Brittle or fragile objects, like paper or glass, decrease the effective level of the object for the purposes of determining if it is damaged. Hard objects, like those made of wood or stone, add 1 to the effective level. Very hard objects, like those made of metal, add 2. (The GM may rule that some exotic materials add 3.) The tool or weapon used to attack the object must be at least as hard as the object itself. Further, if the amount of damage the attack could inflict—not modified by a special die roll—does not equal or exceed the effective level of the object, the attack cannot damage the object no matter what the roll.

ACTION: Activate a Special Ability

Special abilities are granted by foci, types, and flavors, or provided by cyphers or other devices. If a special ability affects another character in any kind of unwanted manner, it’s handled as an attack. This is true even if the ability is normally not considered an attack. For example, if a character has a healing touch, and their friend doesn’t want to be healed for some reason, an attempt to heal their unwilling friend is handled as an attack. Plenty of special abilities do not affect another character in an unwanted manner. For example, a PC might use Hover on themselves to float into the air. A character with a matter-reorganizing device might change a stone wall into glass. A character who activates a phase changer cypher might walk through a wall. None of these requires an attack roll (although when turning a stone wall to glass, the character must still make a roll to successfully affect the wall). If the character spends points to apply Effort on the attempt, they might want to roll anyway to see if they get a major effect, which would reduce the cost for their action.

ACTION: MOVE

As a part of another action, a character can adjust their position—stepping back a few feet while using an ability, sliding over in combat to take on a different opponent to help a friend, pushing through a door they just opened, and so on. This is considered an immediate distance, and a character can move this far as part of another action. In a combat situation, if a character is in a large melee, they’re usually considered to be next to most other combatants, unless the GM rules that they’re farther away because the melee is especially large or the situation dictates it. If they’re not in melee but still nearby, they are considered to be a short distance away—usually less than 50 feet (15 m). If they’re farther away than that but still involved in the combat, they are considered to be a long distance away, usually 50 to 100 feet (15 to 30 m), or possibly even a very long distance away, usually more than 100 feet to 500 feet (30 to 150 m). In a round, as an action, a character can make a short move. In this case, they are doing nothing but moving up to about 50 feet (15 m). Some terrain or situations will change the distance a character can move, but generally, making a short move is considered to be a difficulty 0 action. No roll is needed; they just get where they’re going as their action. A character can try to make a long move—up to 100 feet (30 m) or so—in one round. This is a Speed task with a difficulty of 4. As with any action, they can use skills, assets, or Effort to ease the task. Terrain, obstacles, or other circumstances can hinder the task. A successful roll means the character moved the distance safely. Failure means that at some point during the move, they stop or stumble (the GM determines where this happens). A character can also try to make a short move and take another (relatively simple) physical action, like make an attack. As with the attempt to make a long move, this is a Speed task with a difficulty of 4, and failure means that the character stops at some point, slipping or stumbling or otherwise getting held up.

Long-Term Movement When talking about movement in terms of traveling rather than round-by-round action, typical characters can travel on a road about 20 miles (32 km) per day, averaging about 3 miles (5 km) per hour, including a few stops. When traveling overland, they can move about 12 miles (19 km) per day, averaging 2 miles (3 km) per hour, again with some stops. Mounted characters, such as those on horseback, can go twice as far. Other modes of travel (cars, airplanes, hovercraft, sailing ships, and so on) have their own rates of movement.

Movement Modifiers Different environments affect movement in different ways. Rough Terrain: A surface that’s considered rough terrain is covered in loose stones or other material, uneven or with unsure footing, unsteady, or a surface that requires movement across a narrow space, such as a cramped corridor or a slender ledge. Stairs are also considered rough terrain. Rough terrain does not slow normal movement on a round-by-round basis, but hinders move rolls. Rough terrain cuts long-term movement rates in half. Difficult Terrain: Difficult terrain is an area filled with challenging obstacles—water up to waist height, a very steep slope, an especially narrow ledge, slippery ice, a foot or more of snow, a space so small that one must crawl through it, and so on. Difficult terrain hinders move rolls and halves movement on a round-by-round basis. This means that a short move is about 25 feet (8 m), and a long move is about 50 feet (15 m). Difficult terrain reduces long-term movement to a third of its normal rate. Water: Deep water, in which a character is mostly or entirely submerged, hinders move rolls and reduces round-by-round and long-term movement to one quarter its normal rate. This means that a short move is about 12 feet(4 m), and a long move is about 25 feet (7.5 m). Characters trained in swimming halve their movement only while in deep water. Low Gravity: Movement in low gravity is easier but not much faster. All move rolls are eased. High Gravity: In an environment of high gravity, treat all moving characters as if they were in difficult terrain. Characters trained in high-gravity maneuvering negate this penalty. High gravity reduces long-term movement to a third of its normal rate. Zero Gravity: In an environment without gravity, characters cannot move normally. Instead, they must push off from a surface and succeed at a Might roll to move (the difficulty is equal to one-quarter the distance traveled in feet). Without a surface to push off from, a character cannot move. Unless the character’s movement takes them to a stable object that they can grab or land against, they continue to drift in that direction each round, traveling half the distance of the initial push.

Special Situation: A Chase When a PC is chasing an NPC or vice versa, the player should attempt a Speed action, with the difficulty based on the NPC’s level. If the PC succeeds at the roll, they catch the NPC (if chasing), or they get away (if chased). In terms of the story, this one-roll mechanic can be the result of a long chase over many rounds. Alternatively, if the GM wants to play out a long chase, the character can make many rolls (perhaps one per level of the NPC) to finish the pursuit successfully. For every failure, the PC must make another success, and if they ever have more failures than successes, the PC fails to catch the NPC (if chasing) or is caught (if chased). As with combat, the GM is encouraged to describe the results of these rolls with flavor. A success might mean the PC has rounded a corner and gained some distance. A failure might mean that a basket of fruit topples over in front of them, slowing them down. Vehicle chases are handled similarly.

ACTION: WAIT

You can wait to react to another character’s action. You decide what action will trigger your action, and if the triggering action happens, you get to take your action first (unless going first wouldn’t make sense, like attacking a foe before they come into view). For example, if an orc threatens you with a halberd, on your turn you can decide to wait, stating “If it stabs at me, I’m going to slash it with my sword.” On the orc’s turn, it stabs, so you make your sword attack before that happens. Waiting is also a good way to deal with a ranged attacker who rises from behind cover, fires an attack, and ducks back down. You could say “I wait to see them pop up from behind cover and then I shoot them.” (Waiting is also a useful tool for cooperative actions (see below).)

ACTION: DEFEND

Defending is a special action that only PCs can do, and only in response to being attacked. In other words, an NPC uses its action to attack, which forces a PC to make a defense roll. This is handled like any other kind of action, with circumstances, skill, assets, and Effort all potentially coming into play. Defending is a special kind of action in that it does not happen on the PC’s turn. It’s never an action that a player decides to take; it’s always a reaction to an attack. A PC can take a defense action when attacked (on the attacking NPC’s turn) and still take another action on their own turn. The type of defense roll depends on the type of attack. If a foe attacks a character with an axe, they can use Speed to duck or block it with what they’re holding. If they’re struck by a poisoned dart, they can use a Might action to resist its effects. If a psi-worm attempts to control their mind, they can use Intellect to fend off the intrusion. Sometimes an attack provokes two defense actions. For example, a poisonous reptile tries to bite a PC. They try to dodge the bite with a Speed action. If they fail, they take damage from the bite, and they must also attempt a Might action to resist the poison’s effects. If a character does not know an attack is coming, usually they can still make a defense roll, but they can’t add modifiers (including the modifier from a shield), and they can’t use any skill or Effort to ease the task. If circumstances warrant—such as if the attacker is right next to the character—the GM might rule that the surprise attack simply hits. A character can always choose to forgo a defense action, in which case the attack automatically hits. Some abilities (such as the Countermeasures special ability) may allow you to do something special as a defense action.

ACTION: DO SOMETHING ELSE

Players can try anything they can think of, although that doesn’t mean anything is possible. The GM sets the difficulty—that’s their primary role in the game. Still, guided by the bounds of logic, players and GMs will find all manner of actions and options that aren’t covered by a rule. That’s a good thing. Players should not feel constrained by the game mechanics when taking actions. Skills are not required to attempt an action. Someone who’s never picked a lock can still try. The GM might hinder the task, but the character can still attempt the action. Thus, players and GMs can return to the beginning of this chapter and look at the most basic expression of the rules. A player wants to take an action. The GM decides, on a scale of 1 to 10, how difficult that task is and what stat it uses. The player determines whether they have anything that might modify the difficulty and considers whether to apply Effort. Once the final determination is made, they roll to see if their character succeeds. It’s as easy as that. As further guidance, the following are some of the more common actions a player might take. (Players are encouraged to come up with their own ideas for what their characters do rather than looking at a list of possible actions. That’s why there is a “do something else” action. PCs are not pieces on a game board—they are people in a story. And like real people, they can try anything they can think of. (Succeeding is another matter entirely.) The task difficulty system provides GMs with the tools they need to adjudicate anything the players come up with.)

CLIMBING

When a character climbs, the GM sets a difficulty based on the surface being climbed. Climbing is like moving through difficult terrain: the move roll is hindered and the movement is half speed. Unusual circumstances, such as climbing while under fire, pose additional step penalties.

CLIMBING Difficulty Difficulty Surface 2 Surface with lots of handholds 3 Stone wall or similar surface (a few handholds) 4 Crumbling or slippery surface 5 Smooth stone wall or similar surface 6 Metal wall or similar surface 8 Smooth, horizontal surface (climber is upside down) 10 Glass wall or similar surface

COOPERATIVE ACTIONS

There are many ways multiple characters can work together. None of these options, however, can be used at the same time by the same characters.

Helping: If you use your action to help someone with a task, you ease the task. If you have an inability in a task, your help has no effect. If you use your action to help someone with a task that you are trained or specialized in, the task is eased by two steps. Help is considered an asset, and someone receiving help usually can’t gain more than two assets on a single task if that help is provided by another character. For example, if Scott is trying to climb a steep incline and Sarah (who is trained in climbing) spends her turn helping him, Scott’s task is eased by two steps. Sometimes you can help by performing a task that complements what another person is attempting. If your complementary action succeeds, you ease the other person’s task. For example, if Scott tries to persuade a ship captain to let him on board, Sarah could try to supplement Scott’s words with a flattering lie about the captain (a deception action), a display of knowledge about the region where the ship is headed (a geography action), or a direct threat to the captain (an intimidation action). If Sarah’s roll is a success, Scott’s persuasion task is eased.

Distraction: When a character uses their turn to distract a foe, that foe’s attacks are hindered for one round. Multiple characters distracting a foe have no greater effect than a single character doing so—a foe is either distracted or not. A distraction might be yelling a challenge, firing a warning shot, or a similar activity that doesn’t harm the foe.

Draw the Attack: When an NPC attacks a character, another PC can prominently present themselves, shout taunts, and move to try to get the foe to attack them instead. In most cases, this action succeeds without a roll—the opponent attacks the prominent PC instead of their companions. In other cases, such as with intelligent or determined foes, the prominent character must succeed at an Intellect action to draw the attack. If that Intellect action is successful, the foe attacks the prominent character, whose defenses are hindered by two steps. Two characters attempting to draw an attack at the same time cancel each other out. (Two characters attempting to draw an attack at the same time cancel each other out.)

Take the Attack: A character can use their action to throw themselves in front of a foe’s successful attack to save a nearby comrade. The attack automatically succeeds against the sacrificial character, and it deals 1 additional point of damage. A character cannot willingly take more than one attack each round in this way.

CRAFTING, BUILDING, AND REPAIRING

Crafting is a tricky topic in the Cypher System because the same rules that govern building a spear also cover repairing a machine that can take you into hyperspace. Normally, the level of the item determines the difficulty of creating or repairing it as well as the time required. For cyphers, artifacts, other items that require specialized knowledge, or items unique to a world or species other than your own (such as a Martian tripod walker), add 5 to the item’s level to determine the difficulty of building or repairing it. Sometimes, if the item is artistic in nature, the GM will add to the difficulty and time required. For example, a crude wooden stool might be hammered together in an hour. A beautiful finished piece might take a week or longer and would require more skill on the part of the crafter. The GM is free to overrule some attempts at creation, building, or repair, requiring that the character have a certain level of skill, proper tools and materials, and so forth. A level 0 object requires no skill to make and is easily found in most locations. Sling stones and firewood are level 0 items—producing them is routine. Making a torch from spare wood and oil-soaked cloth is simple, so it’s a level 1 object. Making an arrow or a spear is fairly standard but not simple, so it’s a level 2 object. Generally speaking, a device to be crafted requires materials equal to its level and all the levels below it. So a level 5 device requires level 5 material, level 4 material, level 3 material, level 2 material, and level 1 material (and, technically, level 0 material). The GM and players can gloss over much of the crafting details, if desired. Gathering all the materials to make a mundane item might not be worth playing out—but then again, it might be. For example, making a wooden spear in a forest isn’t very interesting, but what if the characters have to make a spear in a treeless desert? Finding the wreckage of something made of wood or forcing a PC to fashion a spear out of the bones of a large beast could be interesting situations. The time required to create an item is up to the GM, but the guidelines in the crafting table are a good starting point. Generally, repairing an item takes somewhere between half the creation time and the full creation time, depending on the item, the aspect that needs repairing, and the circumstances. For example, if creating an item takes one hour, repairing it takes thirty minutes to one hour. Sometimes a GM will allow a rush job if the circumstances warrant it. This is different than using skill to reduce the time required. In this case, the quality of the item is affected. Let’s say that a character needs to create a tool that will cut through solid steel with a laser (a level 7 item), but they have to do it in one day. The GM might allow it, but the device might be extremely volatile, inflicting damage on the user, or it might work only once. The device is still considered a level 7 item to create in all other respects. Sometimes the GM will rule that reducing the time is not possible. For example, a single human can’t make a chainmail vest in one hour without some kind of machine to help. Possible crafting skills include: Armoring Bowyering/fletching Chemistry Computer science Electronics Engines Genetic engineering Glassblowing Gunsmithing Leatherworking Metalworking Neural engineering Weaponsmithing Woodcrafting

Characters might try to make a cypher, an artifact, or an alien psionic starship do something other than its intended function. Sometimes, the GM will simply declare the task impossible. You can’t turn a vial of healing elixir into a two-way communicator. But most of the time, there is a chance of success. That said, tinkering with weird stuff is not easy. Obviously, the difficulty varies from situation to situation, but difficulties starting at 7 are not unreasonable. The time, tools, and training required would be similar to the time, tools, and training needed to repair a device. If the tinkering results in a long-term benefit for the character—such as creating an artifact that they can use—the GM should require them to spend XP to make it. (Circumstances really matter. For example, sewing a dress by hand might take five times as long (or more) as using a sewing machine.) (The GM is free to overrule some attempts at creation, building, or repair, requiring that the character have a certain level of skill, proper tools and materials, and so forth.) (Obviously, what is considered “weird stuff ” will vary from setting to setting, and sometimes the concept might not apply at all. But many times, there will be something in the setting that is too strange, too alien, too powerful, or too dangerous for PCs to mess around with (or at least mess around with easily). Einstein may have been extraordinary, but that doesn’t mean he could reverse-engineer a teleporter made in another dimension.)

Crafting Difficulty and Time Difficulty Craft General Time to Build 0 Something extremely simple like tying a rope or finding an appropriately sized rock A few minutes at most 1 Torch Five minutes 2 Spear, simple shelter, piece of furniture One hour 3 Bow, door, basic article of clothing One day 4 Sword, chainmail vest One to two days 5 Common technological item (electric light), nice piece of jewelry or art object One week 6 Technological item (watch, transmitter), really nice piece of jewelry or art object, elegant craftwork One month 7 Technological item (computer), major work of art One year 8 Technological item (something from beyond Earth) Many years 9 Technological item (something from beyond Earth) Many years 10 Technological item (something from beyond Earth) Many years

GUARDING

In a combat situation, a character can stand guard as their action. They do not make attacks, but all their defense tasks are eased. Further, if an NPC tries to get by them or take an action that they are guarding against, the character can attempt an eased Speed action based on the level of the NPC. Success means the NPC is prevented from taking the action; the NPC’s action that turn is wasted. This is useful for blocking a doorway, guarding a friend, and so forth. If an NPC is standing guard, use the same procedure, but to get past the guard, the PC attempts a hindered Speed action against the NPC. For example, Diana is an NPC human with a level 3 bodyguard. The bodyguard uses their action to guard Diana. If a PC wants to attack Diana, the PC first must succeed at a difficulty 4 Speed task to get past the guard. If the PC succeeds, they can make their attack normally.

HEALING

You can administer aid through bandaging and other succor, attempting to heal each patient once per day. This healing restores points to a stat Pool of your choice. Decide how many points you want to heal, and then make an Intellect action with a difficulty equal to that number. For example, if you want to heal someone for 3 points, that’s a difficulty 3 task with a target number of 9.

INTERACTING WITH CREATURES

The level of the creature determines the target number, just as with combat. Thus, bribing a guard works much like punching them or affecting them with an ability. This is true of persuading someone, intimidating someone, calming a wild beast, or anything of the kind. Interaction is an Intellect task. Interacting usually requires a common language or some other way to communicate. Learning new languages is the same as learning a new skill.

JUMPING

Decide how far you want to jump, and that sets the difficulty of your Might roll. For a standing jump, subtract 4 from the distance in feet to determine the difficulty of the jump. For example, jumping 10 feet (3 m) has a difficulty of 6. If you run an immediate distance before jumping, it counts as an asset, easing the jump. If you run a short distance before jumping, divide the jump distance (in feet) by 2 and then subtract 4 to determine the difficulty of the jump. Because you’re running an immediate distance (and then some), you also count your running as an asset. For example, jumping a distance of 20 feet (6 m) with a short running start has a difficulty of 5 (20 feet divided by 2 is 10, minus 4 is 6, minus 1 for running an immediate distance). For a vertical jump, the distance you clear (in feet) is equal to the difficulty of the jumping task. If you run an immediate distance, it counts as an asset, easing the jump. (There’s nothing wrong with the GM simply assigning a difficulty level to a jump without worrying about the precise distance. The rules here are just so everyone has some guidelines.)

LOOKING OR LISTENING

Generally, the GM will describe any sight or sound that’s not purposefully difficult to detect. But if you want to look for a hidden enemy, search for a secret panel, or listen for someone sneaking up on you, make an Intellect roll. If it’s a creature, its level determines the difficulty of your roll. If it’s something else, the GM determines the difficulty of your roll.

MOVING A HEAVY OBJECT

You can push or pull something very heavy and move it an immediate distance as your action. The weight of the object determines the difficulty of the Might roll to move it; every 50 pounds (23 kg) hinders the task by one step. So moving something that weighs 150 pounds (68 kg) is difficulty 3, and moving something that weighs 400 pounds (180 kg) is difficulty 8. If you can ease the task to 0, you can move a heavy object up to a short distance as your action.

OPERATING OR DISABLING A DEVICE, OR PICKING A LOCK

As with figuring out a device, the level of the device usually determines the difficulty of the Intellect roll. Unless a device is very complex, the GM will often rule that once you figure it out, no roll is needed to operate it except under special circumstances. So if the PCs figure out how to use a hovercraft, they can operate it. If they are attacked, they might need to roll to ensure that they don’t crash the vehicle into a wall while trying to avoid being hit. Unlike operating a device, disabling a device or picking a lock usually require rolls. These actions often involve special tools and assume that the character is not trying to destroy the device or lock. (A PC who is attempting to destroy it probably should make a Might roll to smash it rather than a Speed or Intellect roll requiring patience and know-how.)

RIDING OR PILOTING

If you’re riding an animal that’s trained to be a mount, or driving or piloting a vehicle, you don’t need to make a roll to do something routine such as going from point A to point B (just as you wouldn’t need to make a roll to walk there). However, staying mounted during a fight or doing something tricky with a vehicle requires a Speed roll to succeed. A saddle or other appropriate gear is an asset and eases the task.

RIDING OR PILOTING Difficulty Difficulty Maneuver 0 Riding 1 Staying on the mount (including a motorcycle or similar vehicle) in a battle or other difficult situation 3 Staying on a mount (including a motorcycle or similar vehicle) when you take damage 4 Mounting a moving steed 4 Making an abrupt turn with a vehicle while moving fast 4 Getting a vehicle to move twice as fast as normal for one round 5 Coaxing a mount to move or jump twice as fast or far as normal for one round 5 Making a long jump with a vehicle not intended to go airborne (like a car) and remaining in control

SNEAKING

The difficulty of sneaking by a creature is determined by its level. Sneaking is a Speed roll. Moving at half speed eases the sneaking task. Appropriate camouflage or other gear may count as an asset and ease the task, as will dim lighting conditions and having plenty of things to hide behind.

SWIMMING

If you’re simply swimming from one place to another, such as across a calm river or lake, use the standard movement rules, noting the fact that your character is in deep water. However, sometimes, special circumstances require a Might roll to make progress while swimming, such as when trying to avoid a current or being dragged into a whirlpool.

UNDERSTANDING, IDENTIFYING, OR REMEMBERING When characters try to identify or figure out how to use a device, the level of the device determines the difficulty. For a bit of knowledge, the GM determines the difficulty.

Difficulty Knowledge 0 Common knowledge 1 Simple knowledge 3 Something a scholar probably knows 5 Something even a scholar might not know 7 Knowledge very few people possess 10 Completely lost knowledge

VEHICULAR MOVEMENT

Vehicles move just like creatures. Each has a movement rate, which indicates how far it can move in a round. Most vehicles require a driver, and when moving, they usually require that the driver spends every action controlling the movement. This is a routine task that rarely requires a roll. Any round not spent driving the vehicle hinders the task in the next round and precludes any change in speed or direction. In other words, driving down the road normally is difficulty 0. Spending an action to retrieve a backpack from the back seat means that in the following round, the driver must attempt a difficulty 1 task. If they instead use their action to pull a handgun from the backpack, in the next round the difficulty to drive will be 2, and so on. Failure results are based on the situation but might involve a collision or something similar. In a vehicular chase, drivers attempt Speed actions just like in a regular chase, but the task may be based either on the level of the driver (modified by the level and movement rate of the vehicle) or on the level of the vehicle (modified by the level of the driver). So if a PC driving a typical car is chasing a level 3 NPC driving a level 5 sports car, the PC would make three chase rolls with a difficulty of 5. If the PC’s car is a souped-up custom vehicle, it might grant the PC an asset in the chase. If the PC is not in a car at all, but riding a bicycle, it might hinder the chase rolls by two or three steps, or the GM might simply rule that it’s impossible.

VEHICULAR COMBAT

Much of the time, a fight between foes in cars, boats, or other vehicles is just like any other combat situation. The combatants probably have cover and are moving fast. Attacks to disable a vehicle or a portion of it are based on the level of the vehicle. If the vehicle is an armored car or a tank, all attacks are likely aimed at the vehicle, which has a level and probably an appropriate Armor rating, not unlike a creature. The only time this isn’t true is with battles where only vehicles and not characters are involved. Thus, if the PCs are in a shootout with bank robbers and both groups are in cars, use the standard rules. However, battles between starships of various kinds—from gigantic capital ships to single-pilot fighters—are a frequent occurrence in far-future science fiction settings. A submarine battle between two deep sea craft could be quite exciting. Characters in a modern-day game might find themselves in a tank fight. If PCs are involved in combat in which they are entirely enclosed in vehicles (so that it’s not really the characters fighting, but the vehicles), use the following quick and easy guidelines. On this scale, combat between vehicles isn’t like traditional combat. Don’t worry about health, Armor, or anything like that. Instead, just compare the levels of the vehicles involved. If the PCs’ vehicle has the higher level, the difference in levels is how many steps the PCs’ attack and defense rolls are eased. If the PCs’ vehicle has the lower level, their rolls are hindered. If the levels are the same, there is no modification. These attack and defense rolls are modified by skill and Effort, as usual. Some vehicles also have superior weapons, which ease the attack (since there is no “damage” amount to worry about), but this circumstance is probably uncommon in this abstract system and should not affect the difficulty by more than one or maybe two steps. Further, if two vehicles coordinate their attack against one vehicle, the attack is eased. If three or more vehicles coordinate, the attack is eased by two steps. The attacker must try to target a specific system on or portion of an enemy vehicle. This hinders the attack based on the system or portion targeted. That’s a lot of modifications. But it’s not really that hard. Let’s look at an example of a space battle. A PC in a small level 2 fighter attacks a level 4 frigate. Since the frigate is level 4, the difficulty of the attack starts at 4. But the attacking craft is weaker than the defender, so the attack is hindered equal to the difference in their levels (2). The fighter pilot must make a difficulty 6 attack on the frigate. However, the fighter is trying to swoop in and damage the frigate’s drive, which hinders the attack by another three steps, for a total difficulty of 9. If the fighter pilot is trained in space combat, they reduce the difficulty to 8, but it’s still impossible without help. So let’s say that two other PCs—also in level 2 fighters—join in and coordinate their attack. Three ships coordinating an attack on one target eases the task by two steps, resulting in a final difficulty of 6. Still, the attacking PC would be wise to use Effort. Then the frigate retaliates, and the PC needs to make a defense roll. The level difference between the ships (2) means the PC’s defense is hindered by two steps, so the difficulty of the PC’s defense roll starts out at 6. But the frigate tries to take out the fighter’s weapons, hindering their attack (easing the PC’s defense) by two steps. Thus, the PC needs to succeed at a difficulty 4 task or lose their main weapons systems. It’s important to remember that a failed attack doesn’t always mean a miss. The target ship might rock and reel from the hit, but the bulk of the damage was absorbed by the shields, so there’s no significant damage. This bare-bones system should allow the GM and players to flesh out exciting encounters involving the whole group. For example, perhaps while one PC pilots a ship, another mans the guns, and another frantically attempts to repair damage to the maneuvering thrusters before they crash into the space station they’re trying to defend. (During a vehicular battle, particularly a space battle, there’s a lot of chatter about shields failing, hull integrity, being outmaneuvered, coming in too fast, and whatnot. These sorts of details are great, but they’re all flavor, so they’re represented in the rules generally, rather than specifically.) (For more details about vehicles, refer to the Genre chapter.) (Training in driving makes the character practiced in using a vehicle as a weapon. If the vehicle is used to run over a victim or ram an enemy vehicle, treat a motorcycle as a medium weapon and treat a car or truck as a heavy weapon.)

Targeting Task Attack Hindered Effect Disable weapons Two steps One or more of the vehicle’s weapons no longer function Disable defenses (if applicable) Two steps Attacks against the vehicle are eased Disable engine/drive Three steps Vehicle cannot move, or movement is hampered Disable maneuverability Two steps Vehicle cannot alter its present course Strike power core or vital spot Five steps Vehicle is completely destroyed

FOLLOWERS

Player characters have the option to gain followers as they advance in tier, as provided by type or focus special abilities. Followers do not need to be paid, fed, or housed, though a character who gains followers can certainly make such arrangements if they wish. A follower is someone whom a character has inspired (or asked) to come work with the character for a time, aiding them in a variety of endeavors. A follower puts the PC’s interests ahead of, or at least on par with, their own.

The PC generally makes rolls for their follower when the follower takes actions, though usually a follower’s modifications provide an asset to a specific action taken by the PC they follow.

(If a follower dies, the character gains a new one after at least two weeks and proper recruitment.)

Modifications: A follower can help a PC in one or more tasks, granting the PC an asset to that task. The level of the follower indicates the number of different tasks they can help with. The tasks that the follower is able to help with are predetermined, usually chosen by the PC when they gain the follower. A level 2 follower who the player determines is a spy could grant a PC an asset on two different tasks, such as stealth and deception. Followers cannot help with tasks that they don’t have modifications for; for the purpose of helping, treat the follower as if they had inabilities in all nonmodified tasks.

When the follower acts autonomously rather than helping the PC, they act like a normal NPC that has modifications. Thus, the modification increases their effective level for the associated task by one step. For example, the level 2 spy follower with modifications for stealth and deception attempts stealth and deception tasks as if they were level 3 and all other tasks as level 2.

Follower Assets to Combat and Defense: A follower cannot grant an asset to a character’s attacks or defense until the follower is level 3 or higher. Even then, the follower can help with attacks and defense only if they have a modification for that kind of task.

Some abilities may grant a special exception to this rule. For instance, the Serv-0 Defender ability gives your level 1 Serv-0 follower (a machine companion) a modification for Speed defense.

Follower Level Progression: A follower increases in level by 1 each time a PC advances two tiers after gaining that follower. When the follower gains a level, the PC also chooses the task that the follower gains a modification for.

Exceptional Follower: When a character gains a follower, there’s a small chance that the follower will be exceptional in some way, a cut above other followers of their kind. The GM determines when an exceptional follower is found, possibly as an additional reward for smart or engaging roleplaying where the PCs impress or otherwise positively interact with one or more NPCs, some of whom may later go on to become one of their followers. An exceptional follower has the same qualities as a regular follower but is 1 level higher.

Pet: Any PC can potentially gain a pet, though a pet typically doesn’t provide modifications. If a character wants a pet that can do this, they must gain the pet through an an ability or focus that grants followers. On the other hand, a well-cared-for pet grants an asset to a PC’s tasks related to achieving peace of mind, finding comfort, and resisting loneliness.

BREATHING LIFE INTO FOLLOWERS

The modifications provided by followers could come across as fairly dry and mechanical. To avoid that, you could present each follower in a way that makes them more compelling and interesting. Here are a few examples of how to describe a follower, depending on their mix of modifications.

• A firebrand diplomat able to convince an enemy horde to back down.
• A veteran commander whose presence bolsters the entire community’s military might.
• A genius medic who invigorates everyone with their healing techniques.
• An imaginative architect whose works both beautify and defend the city.
• A tricky spy whose intelligence on enemy movements is invaluable.

Experience Points

Experience points (XP) are the currency by which players gain benefits for their characters. The most common ways to earn XP are through GM intrusions and by accomplishing things the PCs set out to do. Sometimes experience points are earned during a game session, and sometimes they’re earned between sessions. In a typical session, a player might earn 2 to 4 XP, and between sessions, perhaps another 2 XP (on average). The exact amounts depend on the events of the session.

GM INTRUSION

At any time, the GM can introduce an unexpected complication for a character. When they intrude in this way, they must give that character 2 XP. That player, in turn, must immediately give one of those XP to another player and justify the gift (perhaps the other player had a good idea, told a joke, or performed an action that saved a life).

Often, the GM intrudes when a player attempts an action that should be an automatic success. However, the GM is free to intrude at other times. As a general rule, the GM should intrude at least once each session, but no more than once or twice each session per character.

Anytime the GM intrudes, the player can spend 1 XP to refuse the intrusion, though that also means they don’t get the 2 XP. If the player has no XP to spend, they can’t refuse.

If a player rolls a 1 on a die, the GM can intrude without giving the player any XP.

Example 1: Through skill and the aid of another character, a fourth-tier PC eases a wall-climbing task from difficulty 2 to difficulty 0. Normally, they would succeed at the task automatically, but the GM intrudes and says “No, a bit of the crumbling wall gives way, so you still have to make a roll.” As with any difficulty 2 task, the target number is 6. The PC attempts the roll as normal and gains 2 XP because the GM intruded. They immediately give one of those XP to another player.

Example 2: During a fight, a PC swings their axe and damages a foe with a slice across the shoulder. The GM intrudes by saying that the foe turned just as the axe struck, wrenching the weapon from the character’s grip and sending it clattering across the floor. The axe comes to a stop 10 feet (3 m) away. Because the GM intruded, the PC gains 2 XP, and the player immediately gives one of those XP to another player. Now the character must deal with the dropped weapon, perhaps drawing a different weapon or using their next turn to scramble after the axe.

(For much more on GM intrusions, see the Running the Cypher System chapter.)

캐릭터 아크

캐릭터 아크는 플레이어가 더 멋진 이야기나 캐릭터의 깊이나 성장을 위해 투자할 수 있게 해주는 수단입니다.

책이나 텔레비전 쇼에서처럼, 캐릭터들은 각자의 개인적인 이야기를 통해 전진하고 시간이 지나며 변합니다. 캐릭터 아크를 가진 PC는 자기 자신을 위해 무엇을 왜 할지 결정합니다. 캐릭터 아크는 캐릭터가 선언한 목표와 비슷하며, 목표를 향해 전진함으로서, 캐릭터도 발전합니다. 여기서 열쇠가 되는 말은 전진입니다. PC는 발전하기 위해서 목표를 이루는데 성공할 필요가 없습니다-이는 전부 아니면 전무식의 관점이 아닙니다. 각 아크는 하나의 캐릭터에게 맞춰져 있지만, 책이나 쇼에서 그렇듯이, 캐릭터들은 일행 전체가 참가하는 더 큰 이야기 아크에서 한 부분을 맡을 수도 있고, 도중에 각자의 개인적 아크에서도 전진합니다.

캐릭터 아크들마다 캐릭터들이 아크를 따라가는 전진하는 지점들을 표시하는 서로 다른 단계들이 있습니다. 아크들은 결국 절정에 도달하고, 마지막 결말이라는 단계로 끝나게 됩니다. 각 단계에 도달할 때마다 캐릭터는 경험치 2점을 얻습니다. 캐릭터 아크는 캐릭터들이 경험치를 벌 수 있는 가장 직관적인 방법입니다. (일반적으로 PC들은 경험치의 절반을 아크나 다른 마스터의 보상으로 얻습니다.)

캐릭터를 만들기에서, 플레이어는 하나의 캐릭터 아크를 어떤 비용 없이도 고를 수 있습니다. 물론 고르지 않는 선택지도 있겠지만, 고르는 편이 좋을 겁니다. 무엇보다도, 이는 캐릭터를 정의해주는 요인입니다. 만약 형제를 죽인 여자를 찾으려는 열망으로 캠페인을 시작한다면, 이는 그 캐릭터에 대해 많은 걸 말해줄 겁니다: 형제가 있고, 가까운 사이였을테고, 적어도 한 번은 위험한 상황이 있었고, 그 캐릭터는 분노나 혐오, 적어도 비슷한 무언가에 따라 움직이고 있을 겁니다. 심지어 캐릭터가 이 첫 아크를 끝낸 후에도, 캠페인이 전진하면서 의심의 여지 없이 (적어도 하나의) 새로운 아크를 얻을 수 있을 겁니다.

한 번 플레이가 시작하면, 플레이어들은 원한다면 언제나 새로운 아크를 얻을 수 있고, 이는 캐릭터의 진행 중인 이야기에 맞아야 합니다. 새로운 아크를 얻으려면 경험치 1점의 비용이 듭니다. 한 번에 한 캐릭터가 몇 개의 아크를 가질 수 있는지 강한 제약은 없지만, 현실적으로 대부분의 PC는 이유 없이 셋이나 넷 이상을 가지진 못합니다.

하지만, 위에서 말했듯이, 아크는 시작할 때 비용을 지불해야 하며, 이는 캐릭터가 목표에 대해 헌신하는 것을 반영합니다. 캐릭터는 아크를 완료하게 되면 이 투자한 경험치를 (아마 몇 번이고 더) 돌려 받을 것입니다.

캐릭터 아크는 항상 플레이어 주도적입니다. 마스터는 캐릭터에게 아크를 강요할 수 없습니다. 다시 말해, 서사 속의 사건들이 자주 이야기 아크의 기회를 제시할 것이고 PC에게 캐릭터 아크에 대한 영감을 줄 것입니다. 진행 중인 사건과 관련해서 가능한 아크들을 제한하는 건 확실히 마스터가 할 수 있는 범위 안에 있습니다. 예를 들어, 마스터가 NPC가 PC에게서 배움을 청하는 상황을 제시하면, 여기서 가르친다 아크를 제안하는 것도 말이 될 겁니다. PC가 제자를 받던, 받지 않던 플레이어가 원하지 않으면 가르친다 아크를 받아들이지 않아도 됩니다.

세션이 끝나면, 이번에 한 행동들을 돌아보고 캐릭터 아크의 한 단계를 (어쩌면 한 단계 이상을) 완료할 만한지 묘사합니다. 마스터가 동의하면, 캐릭터는 보상을 받습니다.

(의구심이 들 때, 한 캐릭터가 아크에서 단계를 하나 완료했지만 다른 캐릭터는 그러지 못했다면, 첫 캐릭터는 2점의 경험치를 보상으로 받아야 하고, 하지만 다른 캐릭터도 여전히, 적어도, 1점의 경험치를 세션마다 받게 합니다.)

이 장에서 많은 캐릭터 아크 예시를 제시합니다. (아래를 보십시오.)

GM AWARDS

Sometimes, a group will have an adventure that doesn’t deal primarily with a PC’s character arc. In this case, it’s a good idea for the GM to award XP to that character for accomplishing other tasks. First and foremost, awards should be based on discovery. Discovery can include finding a significant new location, such as a hidden chamber, a secret fortress, a lost land, a new planet, or an unexplored dimension. In this fashion, PCs are explorers. Discovery can also include a new significant aspect of a setting, such as a secret organization, a new religion, and so on.

It can also mean finding a new procedure or device (something too big to be considered a piece of equipment) or even previously unknown information. This could include a source of magical power, a unique teleportation device, or the cure for a plague. These are all discoveries. The common thread is that the PCs discover something that they can understand and put to use.

Last, depending on the GM’s outlook and the kind of campaign the group wants to play, a discovery could be a secret, an ethical idea, an adage, or even a truth.

(It’s a fine line, but ultimately the GM decides what constitutes a discovery as opposed to just something weird in the course of an adventure. Usually, the difference is, did the PCs successfully interact with it and learn something about it? If so, it’s probably a discovery.)

Artifacts: When the group gains an artifact, award XP equal to the artifact’s level and divide it among the PCs (minimum 1 XP for each character). Round down if necessary. For example, if four PCs discover a level 5 artifact, they each get 1 XP. Money, standard equipment, and cyphers are not worth XP. (Experience point awards for artifacts should usually apply even if the artifact was given to the PCs rather than found, because often such gifts are the rewards for success.)

Miscellaneous Discoveries: Various other discoveries might grant 1 XP to each PC involved.

Other Awards: If a character is focused on activities that don’t relate to a character arc or a discovery, as a general rule, a mission should be worth at least 1 XP per game session involved in accomplishing it. For example, saving a family on an isolated farm beset by raiding cultists might be worth 1 XP for each character. Of course, saving the family doesn’t always mean killing the bad guys; it might mean relocating them, parlaying with the cultists, or chasing off the raiders.

SPENDING EXPERIENCE POINTS

Experience points are meant to be used. Hoarding them is not a good idea; if a player accumulates more than 10 XP, the GM can require them to spend some. Generally, experience points can be spent in four ways: immediate benefits, short- and medium-term benefits, long-term benefits, and character advancement. (Experience points should not be a goal unto themselves. Instead, they are a game mechanic to simulate how—through experience, time, toil, travail, and so on— characters become more skilled, more able, and more powerful. Spending XP to explain a change in a character’s capabilities that occurred in the course of the story, such as if the PC made a new device or learned a new skill, isn’t a waste of XP—it’s what XP are for.)

Immediate Benefits

The most straightforward way for a player to use XP is to reroll any roll in the game—even one that they didn’t make. This costs 1 XP per reroll, and the player chooses the best result. They can continue to spend XP on rerolls, but this can quickly become an expensive proposition. It’s a fine way to try to prevent disaster, but it’s not a good idea to use a lot of XP to reroll a single action over and over. A player can also spend 1 XP to refuse a GM intrusion.

Short- and Medium-Term Benefits

By spending 2 XP, a character can gain a skill—or, more rarely, an ability—that provides a short-term benefit. Let’s say a character notices that the computer terminals in the facility they’re infiltrating are similar to those used by the company they once worked for. They spend 2 XP and say that they have a great deal of experience in using these. As a result, they are trained in operating (and breaking into) these computers. This is just like being trained in computer use or hacking, but it applies only to computers found in that particular location. The skill is extremely useful in the facility, but nowhere else. Medium-term benefits are usually story based. For example, a character can spend 2 XP while climbing through mountains and say that they have experience with climbing in regions like these, or perhaps they spend the XP after they’ve been in the mountains for a while and say that they’ve picked up the feel for climbing there. Either way, from now on, they’re trained in climbing in those mountains. This helps them now and any time they return to the area, but they’re not trained in climbing everywhere. This method allows a character to get immediate training in a skill for half the normal cost. (Normally, it costs 4 XP to become trained in a skill.) It’s also a way to gain a new skill even if the PC has already gained a new skill as a step toward attaining the next tier. In rare cases, a GM might allow a character to spend 2 XP to gain an entirely new ability—such as a device, a special ability, or a special mental power—for a short time, usually no longer than the course of one scenario. The player and the GM should agree on a story-based explanation for the benefit. Perhaps the ability has a specific rare requirement, such as a tool, a battery, a drug, or some kind of treatment. For example, a character who wants to explore a submerged location has several biotech enhancements, and they spend 2 XP to cobble together a device that lets them breathe underwater. This gives them the ability for a considerable length of time, but not permanently—the device might work for only eight hours. Again, the story and the logic of the situation dictate the parameters.

Long-Term Benefits

In many ways, the long-term benefits a PC can gain by spending XP are a means of integrating the mechanics of the game with the story. Players can codify things that happen to their characters by talking to the GM and spending 3 XP.

Things that a PC can acquire as a long-term benefit can be thought of as being story based, and they allow the player to have some narrative control over the story. In the course of play, a player might decide that their character gains a friend (a contact) or builds a log cabin (a home). Because a player spent XP, however, they should have some agency over what they’ve gained, and it shouldn’t be easily taken away. The player should help come up with the details of the contact or the design of their home.

It’s also possible to gain these benefits through events in the story, without spending XP. The new contact comes to the PC and starts the relationship. The new home is granted to them as a reward for service to a powerful or wealthy patron, or maybe the character inherits the home from a relative. However, because these came from the GM and not the player (and no XP were spent), the player has no narrative control over them and the GM makes up the details. Long-term benefits can include the following.

• Contact: The character gains a long-term NPC contact of importance—someone who will help them with information, equipment, or physical tasks. The player and GM should work out the details of the relationship.
• Home: The PC acquires a full-time residence. This can be an apartment in a city, a cabin in the wilderness, a base in an ancient complex, or whatever fits the situation. It should be a secure place where the PC can leave their belongings and sleep soundly. Several characters could combine their XP and buy a home together.
• Title or job: The PC is granted a position of importance or authority. It might come with responsibilities, prestige, and rewards, or it might be an honorary title.
• Wealth: The PC comes into a considerable amount of wealth, whether it’s a windfall, an inheritance, or a gift. It might be enough to buy a home or a title, but that’s not really the point. The main benefit is that the PC no longer needs to worry about the cost of simple equipment, lodging, food, and so on. This wealth could mean a set amount—perhaps 50,000 dollars (or whatever is appropriate in the setting)—or it could bestow the ability to ignore minor costs, as decided by the player and GM.

(GMs and players should work together to make XP awards and expenditures fit the ongoing story. If a PC stays in a location for two months to learn the inhabitants’ unique language, the GM might award the character a few XP, which are then immediately spent to grant them the ability to understand and speak that language.)

Character Advancement

Progressing to the next tier involves four steps. When a PC has spent 4 XP on each of the steps, they advance to the next tier and gain all the type and focus benefits of that tier. The four steps can be purchased in any order, but each can be purchased only once per tier. In other words, a PC must buy all four steps and advance to the next tier before they can buy the same steps again.

Increasing Capabilities: You gain 4 new points to add to your stat Pools. You can allocate the points among your Pools however you wish.

Moving Toward Perfection: You add 1 to your Might Edge, your Speed Edge, or your Intellect Edge (your choice).

Extra Effort: Your Effort score increases by 1.

Skills: Choose one skill other than attacks or defense, such as climbing, jumping, persuading, sneaking, or history. You become trained in that skill. You can also choose to be knowledgeable in a certain area of study, such as history or geology. You can even choose a skill based on your character’s special abilities. For example, if your character can make an Intellect roll to blast an enemy with mental force, you can become trained in that ability, easing the task of using it.

If you choose a skill that you are already trained in, you become specialized in that skill, easing the task by two steps instead of one. If you choose a skill that you have an inability in, the training and the inability cancel each other out (you aren’t eased or hindered in that task). For example, if you have an inability in perception, becoming trained in that cancels out the inability.

(Once you’re specialized in a skill, you can’t improve your training in that skill further (you can ease a task by up to two steps with training). You can still make that task easier with assets and a few rare abilities that don’t count as an asset or training.)

Other Options: Players can also spend 4 XP to purchase other special options. Selecting one of these options counts as purchasing one of the four stages necessary to advance to the next tier. The other three need to be from the other categories. The special options are as follows:

• Reduce the cost for wearing armor. This option lowers the Speed penalty for wearing armor by 1.
• Add 2 to your recovery rolls.
• Select another focus ability available to you at tier 3. (You must be tier 3 or higher to do this. Characters advancing beyond tier 6 can use this option to select their other tier 6 focus ability.)
• Select another character ability from your type, such as a tier 2 Warrior selecting Reload or Crushing Blow.

EQUAL ADVANCEMENT

It’s worthwhile if all characters advance through the six tiers at about the same rate—an important issue for some players. A good GM can achieve this result by carefully handing out XP rewards, some during play (which will tend to get used immediately) and some after play concludes, especially after completing a major story arc or quest so the GM can hand out 4 XP in one go (which will tend to get used for advancement). Many groups will discover while playing that equal advancement isn’t an important issue in the Cypher System, but people should get to play the game the way they want to play it.

TIER ADVANCEMENT IN THE CYPHER SYSTEM

Tiers in the Cypher System aren’t entirely like levels in other roleplaying games. In the Cypher System, gaining tiers is not the players’ only goal or the only measure of achievement. Starting (first-tier) characters are already competent, and there are only six tiers. Character advancement has a power curve, but it’s only steep enough to keep things interesting. In other words, gaining a new tier is cool and fun, but it’s not the only path to success or power. If you spend all your XP on immediate, short-term, and medium-term benefits, you will be different from someone who spends their points on long-term benefits, but you will not be “behind” that character. The general idea is that most characters will spend half their XP on tier advancement and long-term benefits, and the rest on immediate benefits and short- and medium-term benefits (which are used during gameplay). Some groups might decide that XP earned during a game is to be spent on immediate and short- and medium-term benefits (gameplay uses), and XP awarded between sessions for discoveries is to be spent on character advancement (long-term uses). Ultimately, the idea is to make experience points into tools that the players and the GM can use to shape the story and the characters, not just a bookkeeping hassle.

캐릭터 아크의 예

이 장의 나머지 부분에서는 PC들을 위한 캐릭터 아크 예시를 소개합니다. 각 아크에 대한 설명마다 아크를 따라 전개되어가는 각 부분을 묘사합니다:

• 발단: 이는 아크의 나머지 부분을 위한 무대를 설정합니다. 여기에는 약간의 행동이 들어갈텐데, 그저 PC가 일을 하기로 동의하거나 임무를 받는 것이라도 그렇습니다. 보통 보상이 없습니다.
• 단계(들): 이는 절정을 향해 움직이기 위해 필요한 행동들입니다. 이야기 용어로는, 이를 아크의 큰 부분을 지나는 이동입니다. 여정입니다. 긴장감은 고조됩니다. 단계가 딱 하나 뿐일 수도 있지만, 단계가 많을 수도 있고, 이는 이야기에 달려 있습니다. 각 단계마다 경험치 2점을 보상으로 받습니다.
• 절정: 이는 피날레입니다- PC가 하기로 한 일에 성공하거나 실패하는 지점입니다. 모든 아크가 승리로 끝나진 않습니다. 캐릭터가 성공한다면 4점의 경험치를 얻습니다. 실패한다고 해도 2점의 경험치를 보상으로 받습니다. 절정에서 실패한다면, 결말을 무시하게될 가능성이 매우 높습니다.
• 결말: 이는 마무리 혹은 대단원입니다. 캐릭터가 일어난 일을 회고하고, 느슨한 부분을 매듭짓고, 다음에 무엇이 일어날지 가늠하는 시간입니다. 일이 어느 정도 해결되면, 캐릭터는 경험치 1점을 보상으로 받습니다.

아크 안에서, 대부분의 시간은 상황에 따라 선택적일 수도 있지만-대부분의 아크는 어떤 종류의 도입, 절정, 혹은 결말이 없이 상상하기 어렵습니다. 도입, 절정, 그리고 결말을 제외한 단계들은 어떤 순서여도 상관 없습니다.

캐릭터 아크는 게임 시간으로 적어도 1주일은 걸려야 하고, 한 세션 안에서는 아크에서 두 부분보다 많이 완수할 수는 없어야 합니다. (그리고 대부분의 경우는, 한 부분이어야 합니다) 만약 이 둘 중에 하나라도 사실이 아니라면, 이는 캐릭터 아크가 아닙니다. 그럴 수 없는 경우, 예를 들자면, 창조한다 아크를 통해 한 두 시간 안에 만들 수 있는 무언가로 안내를 해보십시오.

다음은 흔한 캐릭터 아크들로서 여러분의 캐릭터를 위해 선택할 수 있습니다. 마스터와 함께 새로 하나를 만들고 싶을 때에도, 이 모델들을 살펴보고 나면 꽤 쉬울 겁니다.

(이 장은 예시 캐릭터 아크 중에 고른 것이지만, 여러분만의 것을 만들 수도 있습니다. 이 아크들은 의도적으로 다양한 캐릭터와 이야기를 포괄하게 되어 있습니다. 예를 들어 복수한다는 단순한고 직설적인 캐릭터 아크입니다. 캐릭터에게 이 아크를 골라준 플레이어는 누구에게 그리고 왜 복수할지 정합니다. 세부를 맞추는 건 플레이어와 마스터에게 달려 있습니다.) (어떤 플레이어들은 캐릭터 아크를 쓰고 싶어 하지 않을 수도 있습니다. 마스터는, 하지만, 여전히 이를 경험치를 주기 위한 기준으로 쓸 수 있습니다. 만약 PC들이 이상한 행성을 탐험하러 갔다면, 마스터는 탐험한다 아크를 줄 수 있습니다.)

친구를 돕는다

누군가 당신의 도움이 필요합니다.

PC의 친구가 캐릭터 아크를 받으면, 이 아크를 선택해서 친구의 아크가 무엇이든 (적절하다면) 도울 수 있습니다. 단계들과 절정은 친구가 고른 아크에 달려 있습니다. 친구가 NPC라면, 각 단계와 절정은 그 친구가 추구하는 무언가에 적합한 다른 아크에서 가져옵니다.

친구가 당신의 도움을 받고 싶어하지 않거나 (혹은 모른다고 해도) 친구를 지원하는 것도 어렵지만, 가능하긴 합니다.

이 아크의 비용과 보상은 원래 캐릭터의 아크에 서술된 것과 같습니다.

• 발단: 부름에 답합니다. 도움을 제공합니다. (혹은 도움 요청에 응합니다).
• 단계(들) 그리고 절정: 친구의 아크에 따릅니다. 보상은 친구와 같습니다.
• 결말: 친구와 대화를 하고 만족스러운지 배웁니다. 함께, 배운 내용(뭐라도 있다면) 그리고 앞으로 나아갈 방향을 공유합니다.

조직에 힘을 보탠다

조직을 발전시킬 무언가를 성취하기로 결심했습니다. 아마 여러분은 그 조직의 동료였거나, 아니라도 어떤 식으로든 도움에 보상을 해줄 것입니다.

• 발단: 부름에 응합니다. 여러분에게 기대하는 게 뭔지 그리고 보상(있다면)으로 뭘 얻게 될지 세부사항을 파악합니다. 또 합류하고(join) 나아가기(advance) 위해 무엇이 요구되는지도 자세하게 알게 됩니다.
• 단계: 일을 키웁니다. 행동이 좀 필요합니다. 정찰 임무. 조사.
• 단계(들): 일을 수행합니다. 이 아크는 관련된 일에 따라 매우 다양할 수 있기에, 비슷한 단계가 여럿일 수 있습니다.
• 절정: 일을 완수합니다.
• 결말: 보상을 모으고 (있다면) 이야기했던 조직의 사람들과 상의합니다. 아마 조직 내의 더 높은 사람과 만나게 될 겁니다. 또 표준적인 보상을 받기보다는 이 조직과의 인연(connection)을 증가시킬 수도 있습니다.

복수한다

Someone close to you or important to you in some way has been wronged. The most overt version of this arc would be to avenge someone’s death. Avenging is different than revenge, as revenge is personal—you are the wronged party. But in the Avenge character arc, you are avenging a wrong done to someone else.

• 발단: Declaration. You publicly declare that you are going to avenge the victim(s). This is optional.
• 단계(들): Tracking the Guilty. You track down the guilty party. This might not be physically finding them if you already know where they are. Instead, it might be discovering a way to get at them if they are distant, difficult to reach, or well protected. This step might be repeated multiple times, if applicable.
• 단계: Finding the Guilty. You finally find the guilty party, or find a path or make a plan to reach them. Now all that’s left is to confront them.
• 절정: Confrontation. You confront the guilty party. This might be a public accusation and demonstration of guilt, a trial, or an attack to kill, wound, or apprehend them—whatever you choose to be appropriate.
• 결말: You resolve the outcome and the ramifications of the confrontation and decide what to do next.

탄생한다

You are becoming a parent. The Birth character arc assumes you already have a partner or a surrogate. If you want your character to find a romantic partner or spouse, you can use the Romance arc. And of course, nonhuman characters might reproduce in other ways. This arc is usually followed by the Raise a Child arc.

• 발단: Impregnation.
• 단계: Finding a Caretaker. This might be a physician, midwife, doula, or similar person. This is optional.
• 단계: Complication. A complication arises that threatens the pregnancy, the birth parent, or both.
• 단계: Preparation. You prepare a place for the delivery as well as a safe place for the infant to live once born.
• 절정: Delivery. The baby is born. Success means the child survives.
• 결말: You get the baby to the place you have prepared and settle in, deciding what to do next.

건설한다

You are going to build a physical structure—a house, a fortress, a workshop, a defensive wall, and so on. This arc would also cover renovating an existing structure or substantially adding to one. Of course, this doesn’t have to be physical construction. You might build something with spells or other supernatural abilities.

• 발단: Make a Plan. This almost certainly involves literally drawing up blueprints or plans.
• 단계(들): Find a Site. This might be extremely straightforward—a simple examination of the site—or it might be an entire exploratory adventure. (If the latter, it might involve multiple such steps.)
• 단계(들): Gather Materials. Depending on what you are building and what it is made out of, this could involve multiple steps. There probably are substantial costs involved as well.
• 단계(들): Construction. Depending on what you are building, this could involve multiple steps. It might also take a considerable amount of time and work.
• 절정: Completion. The structure is finished.
• 결말: You put the structure to its desired use and see if it holds up.

정화한다

Someone or something has been contaminated, probably by evil spirits, radiation, a deadly virus, foul magic, or the like, and you want to rid them of such influences or contaminants. This could also be a curse, a possession, an infestation, or something else.

• 발단: Analyzing the Threat. You determine the nature of the contamination.
• 단계: Find the Solution. Almost every contamination has its own particular solution, and this likely involves research and consultation.
• 단계: Getting Ready. The solution probably involves materials, spells, or other things that you must gather and prepare.
• 절정: The Cleansing. You confront the contamination.
• 결말: You reflect on the events that have transpired and what effects they might have on the future. How can you keep this from happening again?

창조한다

You want to make something. This might be a magic item, a painting, a novel, or a machine.

• 발단: Make a Plan. You figure out what you need, what you’re going to do, and how you’re going to do it.
• 단계(들): Gather Materials. Depending on what you are creating and what it is made out of, this could involve multiple steps. There probably are substantial costs involved as well.
• 단계(들): Progress. Depending on what you are creating, this could involve multiple steps. It might also take a considerable amount of time and work.
• 절정: Completion. It’s finished! Is it what you wanted? Does it work?
• 결말: You think about what you have learned from the process and use or enjoy the fruits of your labor.

적을 쓰러트린다

Someone stands in your way or is threatening you. You must overcome the challenge they represent. Defeat doesn’t always mean kill or even fight. Defeating a foe could mean beating them in a chess match or in competition for a desired mentor.

• 발단: Sizing up the Competition. This requires some action. A reconnaissance mission. An investigation.
• 단계: Investigation. This requires some action. A reconnaissance mission. An investigation.
• 단계(들): Diving In. You travel toward your opponent, overcome their lackeys, or take steps to reach them so you can confront them. This step can take many forms, and there might be more than one such step. This step is always active.
• 절정: Confrontation. The contest, challenge, fight, or confrontation occurs.
• 결말: You reflect on what you’ve learned and what the consequences of your actions might be.

방어한다

A person, place, or thing is threatened, and you want to protect it.

• 발단: Analyze the Situation. What are you defending, and what threats are involved?
• 단계: Account for Your Resources. How are you going to defend?
• 단계(들): Fend Off Danger. The forces threatening what you are protecting probably make an initial threat that you’ll have to defeat. It’s not the main threat, though. There might be multiple such initial threats.
• 절정: Protect. The true threat reveals itself and you confront it.
• 결말: A time for reflection on everything that occurred, and an assessment of the person, place, or thing’s safety going forward.

결속을 다진다

You want to get closer to another character. This might be to make a friend, find a mentor, or establish a contact in a position of power. It might be to turn a friend into a much closer friend. The character might be an NPC or a PC.

• 발단: Getting to Know You. You learn what you can about the other character.
• 단계: Initial Attempt. You attempt to make contact. This might involve sending messages or gifts through a courier, using an intermediary, or just going up and saying hello, depending on the situation.
• 단계(들): Building a Relationship. There might be many such steps as you develop the relationship.
• 절정: Bond. You succeed or fail at forging the bond.
• 결말: You enjoy the fruits of your new relationship.

사업을 한다

You want to create and run a business or start an organization. Maybe you’re a craftsperson who wants to sell your creations. Maybe you like baking and you want to start a catering service. Or maybe you want to start a secret society or found a school to teach young mutants how to use their powers. You’ll almost certainly have to make new connections, find (and somehow pay for) a location, and deal with all manner of administrative duties.

• 발단: Drawing up a Plan. What’s your goal, and how are you going to achieve it?
• 단계: Account for Your Resources. How much financing does the enterprise need compared to what you’ve got? If you need more, how will you get it? How many people other than yourself are needed to begin, and how many will you need to sustain things once they are up and running?
• 단계: Finding a Location. You probably need a place to run your enterprise—a store, a workshop, a base of operations, and so on. You find a location and look into what it will take to buy or rent it.
• 단계(들): Building the Enterprise. You procure the needed equipment or personnel. You make the connections and deals to get things started. You obtain important permits or other legal documents. You test new products. You actually start the business. Each of these developments (and likely others) can be counted as a separate step, so there will be many steps.
• 절정: Profit and Loss. You determine whether your enterprise will take off and carry on into the future, or fall apart before it gets a chance to blossom. This occurs in a single dramatic moment—your first major client, your organization’s first big meeting or mission, or whatever else is appropriate.
• 결말: A time for reflection on everything that occurred, and how you’re going to move forward.

창립한다

You want to prove yourself as someone of importance. This can take many forms—socially, within your order, financially, or even romantically.

• 발단: Assessment. You assess yourself as well as who you need to prove yourself to.
• 단계(들): Appearances Matter. You improve your look. Enhance your wardrobe. Spruce up your house. Whatever it takes to get attention from the right people. There might be many such steps.
• 단계(들): Self-Aggrandizement. You need to get the word out to get people talking about you. There might be many such steps.
• 절정: Grabbing Attention. You do something big, like host a party for influential people or produce a play that you wrote. You make a big splash or a big crash.
• 결말: You reflect on what you did and where you go from here.

탐험한다

Something out there is unknown and you want to explore its secrets. This is most likely an area of wilderness, a new planet, an otherworldly dimension, or something similar.

• 발단: Make a Plan. Not only do you draw up a plan for your exploration, but if appropriate, you also make a formal declaration to relevant parties of what you’re going to do.
• 단계(들): Gather Resources. You get the supplies, vehicles, and help you need. Depending on where you are going and what is required, this could involve multiple steps. There probably are substantial costs involved as well.
• 단계(들): Travel. You go where you wish to explore. There might be many such steps, depending on how long it takes to get there.
• 단계(들): Exploration. This is the meat of the arc, but it’s probably a series of small moves and minor victories. There might be many such steps.
• 절정: Conquest. You make the big discovery or truly master the area. You might not have explored every inch of the place, but if you are successful, you can claim to be done.
• 결말: You return home and possibly share your findings.

명예가 실추된다

This is an odd character arc in that it’s (presumably) not something that a character would want. It is something that a player selects on a meta level for the character because it makes for an interesting story. It also sets up the potential for future arcs, such as Redemption. It’s important that this involve actions you take. For example, you fall into substance abuse. You treat people badly. You make mistakes that endanger others. In other words, the fall isn’t orchestrated by someone else—it’s all your own doing.

• 발단: The Descent. Things go bad.
• 단계(들): Further Descent. Things get worse. Depending on the situation, this might involve many steps.
• 단계: Lashing Out. You treat others poorly as you descend.
• 절정: Rock Bottom. There is no chance for success here. Only failure.
• 결말: You wallow in your own misery.

위대한 과업을 완수한다

Something that was begun in the past must now be completed. This might involve destroying an evil artifact, finishing the construction of a monument, developing the final steps of a cure for a disease, or uncovering a lost temple forgotten to the ages.

• 발단: Assessing the Past. You look at what has come before and where it still needs to go. This almost certainly involves some real research.
• 단계: Conceive a Plan. You make a plan on how to move forward.
• 단계(들): Progress. You make significant progress or overcome a barrier to completion. This may involve multiple such steps.
• 절정: Completion. This involves the big finish to the past work.
• 결말: You reflect on what you did and where you go from here.

성장한다

Willingly or unwillingly, you are going to change. This is another meta arc. It’s less about a goal and more about character development. While it’s possible that the growth involved is intentional, in most people’s lives and stories, it is emergent. A character might become less selfish, braver, a better leader, or experience some other form of growth.

• 발단: The Beginning. Change usually begins slowly, in a small, almost imperceptible way.
• 단계(들): Change. Growth involves many small steps.
• 단계: Overcoming an Obstacle. The temptation to resort to your old ways is always present.
• 절정: Self-Evident Change. This is a dramatic about-face. This is the moment where you do something the “old you” would never have done, and it has a profound effect on you and those around you. With either success or failure, growth is possible.
• 결말: You recognize the change in yourself and move forward.

가르친다

You teach a pupil. You have knowledge on a topic and are willing to share. This can be a skill, an area of lore, a combat style, or the use of a special ability. This is usually a fairly long-term arc. Sometimes teaching a pupil is a side matter, and sometimes the pupil takes on more of an apprentice role and spends a great deal of time with you, traveling with you and perhaps even living in your house (or you living in theirs).

• 발단: Taking on the Student.
• 단계: Getting to Know Them. You assess your pupil’s strengths and weaknesses and try to get an idea of what they need to learn and how you can teach it to them.
• 단계(들): The Lessons. Teaching is often a slow, gradual process.
• 단계: Breakdown. Many times, a student needs to have a moment of crisis to really learn something. Maybe they get dejected, or maybe they rebel against your teaching techniques.
• 절정: Graduation. This is when you recognize that the pupil has learned what they need. It usually comes at a dramatic moment.
• 결말: You and the pupil say your goodbyes, and you look toward the future.

조직에 들어간다

You want to join an organization. This might be a military organization, a corporation, a secret society, a religion, or something else.

• 발단: Getting the Details. You learn all you can about the organization and how one becomes a member.
• 단계(들): Making a Contact. Friends on the inside are always important.
• 단계(들): Performing a Deed. The organization might want to test your worth, or this might be a ceremony you must take part in. It might include paying some sort of dues or fee. Or all of these things.
• 절정: Proving Your Worth. This is the point at which you attempt to show the organization that they would be better off with you as a member.
• 결말: You consider your efforts and assess what your membership gets you.

정의를 세운다

You try to right a wrong or bring a wrongdoer to justice.

• 발단: Declaration. You publicly declare that you are going to bring justice in this situation. This is optional.
• 단계(들): Tracking the Guilty. You track down the guilty party, assuming there is one. This might not be physically finding them if you already know where they are. Instead, it might be discovering a way to get at them if they are distant, difficult to reach, or well protected. This step might be repeated multiple times, if applicable.
• 단계: Helping the Victim. Righting a wrong does not always involve confronting a wrongdoer. Part of it might be about helping those who were wronged.
• 절정: Confrontation. You confront the guilty party. This might be a public accusation and demonstration of guilt, a trial, or an attack to kill, wound, or apprehend them—whatever you choose to be appropriate.
• 결말: You resolve the outcome and ramifications of the confrontation and decide what to do next.

배운다

You want to learn something. This isn’t the same as the Uncover a Secret arc, in which you’re looking for a bit of information. This is a skill or whole area of knowledge you want to gain proficiency with. This is learning a new language, how to play an instrument, or how to be a good cook. Thus, it’s not about gaining a level or rank in climbing, but learning to be an experienced mountaineer.

• 발단: Focusing on the Problem.
• 단계: Finding a Teacher or a Way to Teach Yourself. Now you can truly begin.
• 단계(들): Learn. Depending on what you’re learning, this could involve one step or quite a few.
• 절정: The Test. You put your new knowledge to the test in a real situation.
• 결말: You relax a bit and decide what to do next.

기술에 통달한다

You’re skilled, but you want to become the best. This arc might logically follow the Learn arc. As with the Learn arc, this can involve any kind of training at all, not just a skill.

• 발단: Finding the Path. You’ve learned the basics. Now it’s time for the advanced material.
• 단계: Discovering a Master. You find a master to help you become a master.
• 단계(들): Learn. Depending on what you’re mastering, this could involve one step or quite a few.
• 단계: The Last Step. Eventually, you realize that even a master cannot teach you the last step. You must learn it on your own.
• 절정: The Test. You put your mastery to the test in a real situation—and considering your goal, it’s probably a very important situation.
• 결말: You relax a bit and decide what to do next.

출생의 비밀을 알아낸다

당신은 부모가 누구인지 모르지만, 찾아내길 바랍니다. 이 비밀은 부모가 아닌 무언가일 수도 있지만, 이 역시 이 아크에서 흔한 주제이기도 합니다. 당신이 어디에서 왔는지 알고 싶습니다-당신의 과거에는 무언가 비밀이 있습니다.

• 발단: 탐색을 시작합니다.
• 단계: 연구합니다. 가능하다면, 가족의 배경을 알아봅니다.
• 단계(들): 조사합니다. 알고 있을 것 같은 사람들과 대화합니다. 단서를 따라갑니다.
• 절정: 발견. 당신의 배경에 대한 비밀을 발견합니다. 당신이 배운 것이 좋은지 나쁜지 정하지만, 어느 쪽이라도 성공을 의미합니다.
• 결말: 이 새로운 지식이 당신에게 어떤 영향을 주는지 숙고합니다.

새로운 것을 발견한다

You want to invent a new device, process, spell, or something similar. A cure for a heretofore unknown disease? An invocation with a result you’ve never heard of before? A method for getting into an impregnable vault? Any of these and more could be your discovery. While similar to the Creation arc and the Learn arc, the New Discovery arc involves blazing a new trail. No one can teach you what you want to know. You’ve got to do it on your own.

• 발단: The Idea. You draw up plans for the thing you want to invent or discover.
• 단계: Research. You learn what people have done before and recognize where they fell short.
• 단계(들): Trial and Error. You test your hypothesis. This often ends in many failures before you get a success.
• 절정: Eureka! It’s time to put the discovery to the true test.
• 결말: You reflect on your discovery and probably compile your notes and write it all down, for posterity’s sake if nothing else.

아이를 기른다

You raise a child to adulthood. It can be your biological child or one you adopt. It can even be a child taken under your wing, more a young protégé than a son or daughter. This is obviously a very long-term arc.

• 발단: Sharing Your Home. The child now lives with you.
• 단계: Care and Feeding. You learn to meet the child’s basic needs.
• 단계(들): Basic Instruction. You teach them to walk, talk, and read. You teach them to care for themselves.
• 단계(들): The Rewards Are Many. The child loves you. Relies on you. Trusts you. Eventually, helps you.
• 단계(들): Ethical Instruction. You instill your basic ethics in the child, hoping that they will mature into an adult you can be proud of.
• 절정: Adulthood. At some point the child leaves the proverbial nest. You determine, at this point, your own success or failure.
• 결말: You reflect on the memories you have made.

상처(또는 트라우마)에서 회복한다

You need to heal. This isn’t just for healing simple damage. This involves recovering from a major debilitating injury, illness, or shock. Severe damage, the loss of a body part, and emotional trauma all fall into this category.

• 발단: Rest. The first thing you need to do is rest.
• 단계: Self Care. You take care of your own needs.
• 단계: Getting Aid. Someone helps.
• 단계: Medicine. Some kind of drug, cure, poultice, potion, or remedy aids your recovery.
• 단계: Therapy. With the help of someone else, you exercise your injury or cope with your trauma.
• 절정: Acceptance or Recovery. You try to move on and use what has been damaged (or learn how to function without it).
• 결말: You get on with your life.

속죄한다

You’ve done something very wrong, but you want to atone and make it right again. This is like the Justice arc or the Undo a Wrong arc, except you are the wrongdoer. This could be a follow-up to the Fall From Grace arc.

• 발단: Regret. You are determined to rebuild, recover, and restore.
• 단계: Forgiveness. You apologize and ask for forgiveness.
• 단계: Identifying the Needs. You determine what needs to be done to atone for your transgression.
• 절정: Making Good. You perform an act that you hope will redeem your past misdeed.
• 결말: You reflect on what has happened but now look to the future.

빚을 갚는다

You owe someone something, and it’s time to make good.

• 발단: Debts Come Due. You determine to do what is needed to make good on the debt. It might involve repaying money, but more appropriately it’s performing a deed or a series of deeds.
• 단계: Talking It Over. You discuss the matter with the person you owe, if possible. You ensure that what you’re doing is what they want.
• 절정: Repayment. Either you do something to earn the money or goods you owe, or you undertake a major task that will compensate the other person.
• 결말: You relax knowing that your debt is repaid, and you look to the future.

구조한다

Someone or something of great importance has been taken, and you want to get them or it back.

• 발단: Heeding the Call. You determine what has happened, and who or what is missing.
• 단계: Tracking. You discover who has taken them, and where.
• 단계: Travel. You go to where they are being held and get information on the location and who is involved. Maybe make a plan.
• 절정: Rescue Operation. You go in and get them.
• 결말: You return them home.

복구한다

You’re down but not out. You want to restore your good name. Recover what you’ve lost. Rebuild what has been destroyed. You’ve fallen down or have been knocked down, but either way you want to pick yourself up. This is a possible follow-up to the Fall From Grace arc.

• 발단: Vow to Yourself. You are determined to rebuild, recover, and restore.
• 단계(들): Work. You rebuild, recover, and restore. If all your money was stolen, you make more. If your house was destroyed, you rebuild it. If your reputation was tarnished, you perform deeds that restore your good name.
• 절정: The Final Act. You undertake one last major task that will bring things back to where they were (or close to it). A lot is riding on this moment.
• 결말: You enjoy a return to things the way they were before.

보복한다

Someone did something that harmed you. Unlike the Avenge arc, this arc probably isn’t about tracking down a murderer, but it might involve pursuing someone who stole from you, hurt you, or otherwise brought you grief. The key is that it’s personal. Otherwise, use the Justice arc.

• 발단: Vow. You swear revenge.
• 단계(들): Finding a Clue. You find a clue to tracking down the culprit.
• 절정: Confrontation. You confront the culprit.
• 결말: You deal with the aftermath of the confrontation and move on. You think about whether you are satisfied by gaining your revenge.

사랑한다

You want to strike up a relationship with a romantic partner. Perhaps you have a specific person in mind, or maybe you’re just interested in a relationship in general. Opening(s): Caught Someone’s Eye. You meet someone you are interested in. (Since this can be short-lived, it’s possible to have this opening occur more than once.)

• 단계(들): Courtship. You begin seeing the person regularly. Although not every “date” is a step in the arc, significant moments are, and there may be a few of them.
• 절정: Commitment. You may or may not be interested in a monogamous relationship. Regardless, you and your love have made some kind of commitment to each other.
• 결말: You think about the future. Marriage? Children? These are only some of the possibilities.

수수께끼를 푼다

Different from the Learn arc and the Uncover a Secret arc, this arc is about solving a crime or a similar action committed in the fairly recent past. It’s not about practice or study, but about questions and answers. In theory, the mystery doesn’t have to be a crime. It might be “Why is this strange caustic substance leaking into my basement?”

• 발단: Pledging to Solve the Mystery.
• 단계: Research. You get some background.
• 단계(들): Investigation. You ask questions. You look for clues. You cast divinations. This likely encompasses many such steps.
• 절정: Discovery. You come upon what you believe to be the solution to the mystery.
• 결말: In this step, which is far more active than most resolutions, you confront the people involved in the mystery with what you’ve discovered, or you use the information in some way (such as taking it to the proper authorities).

훔친다

Someone else has something you want.

• 발단: Setting Your Sights. You make a plan.
• 단계: Casing the Joint. You scout out the location of the thing (or learn its location).
• 단계(들): Getting to the Object. Sometimes, many steps are involved before you reach the object you wish to take. For example, if, in order to steal something from a vault, you need to approach one of the guards while they are off duty and bribe them to look the other way when you break in, that is covered in this step.
• 절정: The Attempt. You make your heist.
• 결말: You decide what to do with the thing you’ve stolen and contemplate the repercussions you might face for stealing it.

동물을 길들인다

You want to domesticate and train an animal or other creature. While the beast doesn’t need to be wild, it must not already be domesticated and trained.

• 발단: Getting Acquainted. You get to know the creature a bit, and it gets to know you.
• 단계: Research. You get information on the type of creature or advice from others who have trained one.
• 단계: Domestication. After some work, the creature is no longer a threat to you or anyone else, and it can live peacefully in your home or wherever you wish.
• 단계(들): Training. Each time you use this step, you teach the creature a new, significant command that it will obey regularly and immediately.
• 절정: Completion. Believing the creature’s training to be complete, you put it in a situation where that is put to the test.
• 결말: You reflect on the experience.

변화한다

You want to be different in a specific way. Because the Growth arc covers internal change, this one focuses primarily on external change. This could take many forms, and probably varies greatly by genre. In some settings, it could even be death, which might turn you into a ghost. For the change to be an arc, it should be difficult and perhaps risky.

• 발단: Deciding on the Transformation.
• 단계: Research. You look into how the change can be made and what it entails.
• 단계(들): Investigation. This is an active step toward making the change. It might involve getting more information, materials or ingredients, or something else.
• 절정: Change. You make the change, with some risk of failure or disaster.
• 결말: You contemplate how this change affects you going forward.

비밀을 밝힌다

There is knowledge out there that you want. It could be an attempt to find and learn a specific special ability. This could also be a hunt for a lost password or a key that will open a sealed door, the true name of a devil, the secret background of an important person, or how the ancients constructed that strange monolith.

• 발단: Naming the Secret. You give your goal a name. “I am seeking the lost martial art of the Khendrix, who could slice steel with their bare hands.”
• 단계(들): Research. You scour libraries and old tomes for clues and information.
• 단계(들): Investigation. You talk to people to gain clues and information.
• 단계(들): Tracking. You track down the source of the secret information and travel to it.
• 절정: Revelation. You find and attempt to use the secret, whatever that entails.
• 결말: You contemplate how this secret affects you and the world.

잘못된 것을 되돌린다

Someone did something horrible, and its ramifications are still felt, even if it happened long ago. You seek to undo the damage, or at least stop it from continuing. This is different from the Justice arc because this isn’t about justice (or even revenge)—it’s about literally undoing something bad that happened in the past, such as a great library being burned to the ground, a sovereign people being driven from their land, and so on.

• 발단: Vowing to Put Right What Once Went Wrong.
• 단계: Make a Plan. You learn all you can about the situation and then make a plan to put things right.
• 단계(들): Progress. This is an active step toward undoing the wrong. It might involve finding something, defeating someone, destroying something, building something, or almost anything else, depending on the circumstances.
• 절정: Change. You face the challenge of the former wrong, and either overcome it or fail.
• 결말: You reflect on what you’ve accomplished and think about the future.